A young boy, Lele, goes missing in the Changbai mountains after an argument with this father. Approaching the vital 48 hour mark and with no sign of Lele, his father takes it upon himself to brave an upcoming avalanche to save his son
You May Also Like
Filmmaker Sterlin Harjo’s Grandfather disappeared mysteriously in 1962. The community searching for him sang songs of encouragement that were passed down for generations. Harjo explores the origins of these songs as well as the violent history of his people.
A son tries to save his mother’s eyesight by drinking beer and playing darts.
Tormented with his ‘under-privileged’ societal status, a father capitalizes on his son’s newfound fame as a boy-genius. Little does he realize that the secret he harbors will destroy the very thing he loves the most.
Zoey Miller, a super smart computer major uninterested in romantic love, has her life turned upside down when Zack, the school’s soccer star, gets amnesia and mistakes Zoey for his girlfriend.
A young couple go for a picnic beside a lake in the grounds of an empty house. Three years before, the owner had murdered all his family, killed his animals and disappeared.
A drug addict awakens to find the girl he is with dead, and must rush to escape the consequences.
After 14 years of marriage, Tom (Joel McHale) and Janet (Kerry Bishé) still can’t keep their hands off each other. When they discover their friends are resentful of their constant public displays of affection, the couple starts to question the loyalty of everyone around them. Then, a visit from a mysterious stranger (Stephen Root) thrusts them into an existential crisis, leading to a dead body, a lot of questions, and a very tense couples vacation in this dark romantic comedy.
Wind From the East is a product of Jean-Luc Godard’s involvement, during the late 60s and early 70s, with a collective filmmaking experiment known as the Dziga Vertov Group. The film is, typically of the films he made during this period, about ideas and simultaneously about how best to express those ideas through the medium of film. The film deals with the situation of a strike and, during its first half, methodically analyzes the different components of the strike: the workers, the radical students who encourage the strike while not quite being able to communicate in the same terms as the workers, the union delegates and other middlemen who preach moderation and compromise, the employers who demand the immediate resumption of work, the police state that suppresses the strike on behalf of capitalism.
It’s 1982, and Taeko is 27 years old, unmarried, and has lived her whole life in Tokyo. She decides to visit her family in the countryside, and as the train travels through the night, memories flood back of her younger years: the first immature stirrings of romance, the onset of puberty, and the frustrations of math and boys. At the station she is met by young farmer Toshio, and the encounters with him begin to reconnect her to forgotten longings. In lyrical switches between the present and the past, Taeko contemplates the arc of her life, and wonders if she has been true to the dreams of her childhood self.
Transfer student Mizuki Aonuma (Rina Sakuragi) is bullied mercilessly by classmate Aya (Eriko Nakamura) and others. Nevertheless, Mizuki is always able to maintain her calm composure. Kirie (Maika Shimamura), who has a passive character and is also bullied, becomes interested in Mizuki and longs for her. The two become close. With a guy named Shibanai (Syun Asada), Mizuki and Kirie decide to stand up to their tormentors. Mizuki though is badly beaten by Aya. Kirie and Shibanai are assaulted by teachers and endure shocking violence. Mizuki decides to get revenge. She wanders the street at night. At that time, Mizuki becomes possessed by a poisonous flower spirit. Madness of the flower spirit begins.
