The invasion of a village in Byelorussia by German forces sends young Florya into the forest to join the weary Resistance fighters, against his family’s wishes. There he meets a girl, Glasha, who accompanies him back to his village. On returning home, Florya finds his family and fellow peasants massacred. His continued survival amidst the brutal debris of war becomes increasingly nightmarish, a battle between despair and hope.
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A highly driven law student eludes her entitled rival as she retraces the path of the underground railroad.
The life of a Middle-East family of immigrants in Europe. The father carries the heavy burden of banishment. To rescue his culture, his traditions, is mandatory, so he remains faithful to his past, his origins, to himself. His daughter is now a grown-up. He worries and wishes she would get married soon. The young woman leaves the family home every morning, but changes her clothes in a bar before she goes to work, her hair down. She puzzles the young boss of the company that employs her. He fell in love and is ready to do anything to marry her. But the young woman keeps her freedom of choice, just like her mother had done with her father. She won’t have time to introduce the only man for her to her parents. A friend of her father’s catches them. In a cafe.
Precocious young Harriet (Evan Rachel Wood) lives with her much older sister, Gwen (Mary Stuart Masterson), at a New Hampshire motel owned by their mother (Cathy Moriarty), and dreams of a life beyond her neglectful family and stultifying town. When Ricky (Kevin Bacon), a mentally disabled man, stays at the motel, Harriet finds him to be kinder and more interesting than anyone she has ever known before. After tragedy strikes, Harriet and Ricky cling to each other ever more tightly.
A teen drama set during the fall potato harvest in a small northern Maine town.
Accompanied only by her faithful dog and four camels, an Australian satisfies her craving for solitude by embarking on a solo trip across the desert from Alice Springs to the Indian Ocean.
A tough, Jewish ex-con just released from prison crosses a powerful drug dealer and former prison rival in his return to a life of crime.
Directed by some of most well known Chinese-language directors of the time, the portmanteau film Four Moods was an attempt to alleviate Li Han-hsiang’s financial troubles during the late 1960s. Arguably one of his best works, King Hu’s short Anger is an adaptation of the famous Peking opera San Cha Kou; set to opera instrumentation and stylishly shot, the film deftly captures the tense showdown between political schemers, avengers and vagabonds inside an inn. Li Han-hsiang’s Happiness, inspired by the Strange Tales of Liaozhai, tells a tale of reprieve for a kind-hearted ghost, while Pai Ching-Jui’s Joy and Lee Hsing’s Sadness both explore the fateful encounters between mortal men and ghostly women.
The documentary recounts the world’s first nuclear attack and examines the alarming repercussions. Covering a three-week period from the Trinity test to the atomic bombing of Hiroshima, the program chronicles America’s political gamble and the planning for the momentous event. Archival film, dramatizations, and special effects feature what occurred aboard the Enola Gay (the aircraft that dropped the bomb) and inside the exploding bomb.
Two people, a man and a woman, wake up naked and with their abdomens attached to each other.
Killing Reagan explores the events surrounding the assassination attempt on president Ronald Reagan by John Hinckley Jr. Based on the best-selling book, the film begins in the final months leading up to the 1980 presidential election, and explores the challenges Reagan faced to define himself as a leader. Meanwhile, an aimless and deranged Hinckley is unraveling, leading to the fateful day in March 1981 when these disparate figures collided.
