Firefighter Gordon Brewer is plunged into the complex and dangerous world of international terrorism after he loses his wife and child in a bombing credited to Claudio ‘The Wolf’ Perrini.
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Taking his inspiration from the biggest scandal in Japan’s police history, Kazuya Shiraishi has created a massive and sinister crime epic about the grand forces of corruption that brings to mind the best of Kinji Fukasaku’s yakuza movies (Cops vs. Thugs among others). Starting in 1970s Hokkaido like a nervous Japanese Starsky & Hutch–chan, the film charts the moral descent of Detective Moroboshi (Go Ayano) over three decades. Green in years but already hard‐grained and ready to play rough, the young cop quickly gets a bit too cozy with the other side of the law when his senior colleague Murai (Pierre Taki) teaches him the ropes and ruts of the police business. Soon, he swaggers and rants through the streets of Sapporo a lean, mean, sex‐crazy bully, indistinguishable from a yakuza. Burning with the same blaze as the hard‐boiled classics of yore, Twisted Justice scorches away the sleekness and macho self‐congratulation of the genre.
The police station used to be the army club during the Japanese occupation of Hong Kong. Many Japanese officers committed hara kiri there on V-J Day. The old building thus became a ghost house. Petty thief Ming is detained in the basement. It is the Ghost Festival when ghosts are allowed one night’s leave. The Colonel shows up and bites Ming, who becomes a vampire.
Jimmy is a committed child psychologist who uses his own playbook, but when he is brought in to work with Ellie, he is completely unprepared for his subject – a 9-year-old psychopathic genius with nothing to lose. As he begins to understand the extent of her capabilities and the fate that has been planned for her, he struggles to overcome her defenses before it is too late for them both.
In a small desert town a home invasion goes terribly wrong.
Ana is transported to a dreamlike and dangerous land where she joins an army of girls engaged in a never-ending war. Though she finds strength in this exhilarating world, she realizes that she’s not the killer they want her to be.
Fred (Elliott Gould) lives with his Alzheimers’ struggling wife, Susan in their home of over fifty years. Fred’s grown up children try to convince him to move into a care home alongside Susan, however, he does not approve of this idea.
A moral discussion between sexes arises when an aspiring photographer secretly takes pictures of his barely dressed neighbour in the search for his artistic expression.
With the disappearance of hack horror writer Sutter Cane, all Hell is breaking loose…literally! Author Cane, it seems, has a knack for description that really brings his evil creepy-crawlies to life. Insurance investigator John Trent is sent to investigate Cane’s mysterious vanishing act and ends up in the sleepy little East Coast town of Hobb’s End.
Dozens of great white sharks attack the sleepy coastal town of Goldcoast, CA, resulting in several deaths and forcing the town council to bring in a group of marine biologists and shark hunters to solve the problem. But when one shark in particular refuses to go down without a fight, it will take all of the biologists’ and hunters’ knowhow to defeat the creature for good.
Karl Childers is a mentally disabled man who has been in the custody of the state mental hospital since the age of 12 for killing his mother and her lover. Although thoroughly institutionalized, Karl is deemed fit to be released into the outside world.
Harold Fry is an unremarkable man who has made mistakes with all the important things: being a husband, a father and a friend. And now, well into his 60s, he is content to fade quietly into the background of life. Until, one day – Harold learns his old friend Queenie is dying. Harold leaves home, walking to his post office to send her a letter. And out of the blue, Harold decides to keep walking, all the way to her hospice, 450 miles away.