Arnost Lustig was one of the world’s most renowned literary authors of our times. Lustig’s novel ‘A girl from Antwerp’ upon which our film Colette is based, draws on the author’s personal Nazi Concentration Camp experience and his own recollection of several escape attempts from the hell of Auschwitz. The story of The Pulitzer Prize nominee Lustig is about the power of love under an extreme life circumstances. It is a story of young lovers and their vigorous determination to escape from a hopeless life condition and theirs courage to face death.
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Upon his release from prison, an ex-convict returns to his beloved city of Genoa, and to his lover.
An outrageous erotic poem focusing on the daydreams of a beautiful boy prostitute who, from the seclusion of his ultra-kitsch apartment, conceives a series of interlinked narcissistic fantasies populated by matadors, dancing boys, slaves, and leather-clad bikers.
After witnessing a gangland murder, a young Greek immigrant flees for his life and hides out in a small town, but he soon realizes he’s not as safe there as he thought.
A hit man and his partner try to find out why their latest victim, a former race-car driver, did not try to get away.
Edouard Binet, an aimless Frenchman, has been travelling in North Africa for many years, and is sailing to Belgium. En route, he meets Sylvie Baron. He introduces her to Nemrod Lobetoum, a rich Egyptian carrying valuable jewelry, and Sylvie and Nemrod become friends. Their friendship escalates to love, which makes Edouard jealous. Days later, Edouard arrives at a rooming house owned by Mme. Louise Baron, Sylvie’s mother, wearing blood-stained clothes. It appears that Nemrod was killed on a train after he arrived in France, but Edouard denies any knowledge of what happened. Sylvie suspects that Edouard is responsible for Nemrod’s death, but by now her mother has become Edouard’s ally.
Director Tominaga Masanori (Pandora’s Box) brings Motoya Yukiko’s offbeat play Ranbo to Taiki to the big screen in a juicy, neurotic tangle of love, hate and voyeurism. Hidenori (Asano Tadanobu) and Nanase (Minami) have lived together for ten years in a tense, platonic relationship. The wheels of change are set in motion when married couple Takao (Yamada Takayuki) and Azusa (Koike Eiko) move in next door. After Hidenori catches Nanase and Takao having an affair, he becomes obsessed with watching Nanase through a peephole, and planning his cruel revenge.
An accident overthrows Ernst and Cecilia’s well-ordered life. Chance rules in Ernst’s rational world while Cecilia is searching for a deeper meaning in what has happened. As they drift further and further apart a suspicious stranger with exceptional gifts changes their lives in an unexpected way.
Akio Kanzaki’s job as head of human resources is wearing his nerves thinner and thinner. To make matters worse, he’s on the brink of divorce with his wife, and his relationship with his college-student daughter isn’t exactly smooth sailing. One day, he decides to drop in to Tokyo’s old-timey district to visit his mother Fukue. However, things seem a little off. His mother used to be always working with an apron on, but now she’s covered in stylish clothes, looking livelier than ever, and even in love! Akio becomes perplexed, feeling out of place in his own mother’s home, but after encountering kind, warm—and almost nosey—neighbors and a side of his mother he’d never seen before, Akio gradually starts to discover something he had lost sight of.
Senior year of high school takes center stage as Lara Jean returns from a family trip to Korea and considers her college plans — with and without Peter.
It is 300 years into the future. Earth’s environment had been devastated by mankind’s own foolish plans and humankind is beleaguered by the sentient forests which they have awoken. The world balance is tipped when a young boy named Agito stumbles across a machine that glowed in a strange blue hue inside a forbidden sanctuary.
When Tom learns that he has terminal brain cancer, he decides to find a replacement husband for his wife and a father to his daughter, before it is too late. Unbeknownst to his wife Valentine, Tom sets up an on-line dating profile for her, and realizes that he doesn’t know much about her anymore. Tom endeavors to get to know Valentine, and learns why he fell in love with her all those years ago… just in time to say goodbye.
King Lear, old and tired, divides his kingdom among his daughters, giving great importance to their protestations of love for him. When Cordelia, youngest and most honest, refuses to idly flatter the old man in return for favor, he banishes her and turns for support to his remaining daughters. But Goneril and Regan have no love for him and instead plot to take all his power from him. In a parallel, Lear’s loyal courtier Gloucester favors his illegitimate son Edmund after being told lies about his faithful son Edgar. Madness and tragedy befall both ill-starred fathers.