Shallow, rich and socially successful Cher is at the top of her Beverly Hills high school’s pecking scale. Seeing herself as a matchmaker, Cher first coaxes two teachers into dating each other. Emboldened by her success, she decides to give hopelessly klutzy new student Tai a makeover. When Tai becomes more popular than she is, Cher realizes that her disapproving ex-stepbrother was right about how misguided she was — and falls for him.
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An experimental filmmaker takes a job as a driver for a foul-mouthed child actor and his ambitious stage mother.
After an unforgettable encounter, a hopeless romantic turns to an app to seek out a man she just met — but is he really what she’s looking for?
Chief Inspector Jacques Clouseau is dead. At least that is what the world (and Charles Dreyfus) believe when a dead body is discovered in Clouseau’s car after being shot off the road. Naturally, Clouseau knows differently, and taking advantage of not being alive, sets out to discover why an attempt was made on his life.
Each member of a family in Taipei asks hard questions about life’s meaning as they live through everyday quandaries.
After being forced to share her room with her dementia-suffering grandmother, a teen’s resentment turns to love as she uncovers family secrets and gains a new understanding of her grandmother’s past.
If Bugs Bunny were to direct his signature inquiry–“What’s up, doc?”–toward the modern-day Warner Bros. creative team, he wouldn’t be far off. For 1001 Rabbit Tales, they’ve doctored up a batch of classic cartoons featuring the carrot muncher and his bumbling comrades and bundled them, near seamlessly, into a feature-length film. Here’s the premise: Bugs and Daffy, both book salesmen, are competing to sell the most copies of a kids’ book. Instead of burrowing a beeline to his sales territory (he should have made a left at Albuquerque), Bugs ends up in the castle of Yosemite Sam, here a harem-leading honcho. Sam’s pain-in-the-spurs son, Prince Abalaba, needs somebody to read him stories; Bugs, who’d sooner take the job than suffer the alternative, that involving being boiled in oil, signs on.
For his fourth full feature, Toyoshi Toyoda has abandoned the theme of the angry young man, examined in depth in Pornostar, Blue Spring and 9 Souls. Kuchu Teien is, on the face of it, more a drama, a character study, than a typical Toyoda genre flick. Yet within this beautifully structured and photographed film, there lies a dark soul. Ostensibly the story of a happy family, it becomes increasingly clear as the movie progresses that the Kyobashis are anything but. Despite a family agreement that they are all open with each other, the entire household knows the opposite is true.