Celebrated filmmaker and photographer Cheryl Dunn turns her lens on the pioneers and masters of New York street photography. Dunn profiles artists spanning six decades, including Bruce Davidson, Mary Ellen Mark, Jill Freedman, Jeff Mermelstein and Martha Cooper, revealing that these shooters are as colourful and unique as the subjects they’ve relentlessly documented. Everybody Street explores the passion that compelled Freedman to spend years riding in squad cars during the most violent years in the city; Bruce Gilden’s drive to thrust his camera in people’s faces to capture a moment; and Martha Cooper’s dedication to chasing graffiti on passing subway cars in the Bronx. The film is a definitive look at the iconic visionaries of this often imitated art form.

Aging record producer, Nick Silver sets out to prove he’s still relevant by curating a playlist with multiple artists instead of an album with one artist. When his doctor tells him he’ll be deaf in three months, he panics and begins speaking his memoirs into a video camera in bathroom mirrors all over Los Angeles.

A feature-length documentary about our complex relationship with manufactured objects and, by extension, the people who design them.

Hysterical is an honest and hilarious backstage pass into the lives of some of stand-up comedy’s most boundary-breaking women, exploring the hard-fought journey to become the voices of their generation and their gender.

Before the joint NASA/ESA Cassini-Huygens mission, humanity only knew what had been learned, decades earlier, with the previous limited, rapid “fly-by” Pioneer and Voyager missions. Cassini-Huygens spent more than 13 years in wildly varied orbits around Saturn, allowing the spacecraft to pass near many of its moons, as well as execute a soft-landing of its Huygens lander on the moon Titan. By mission end, it accumulated a mountain of imagery and scientific data that will continue to be studied for years to come. This film is a testament to the amazing efforts of the scientists who planned and executed the mission. It combines breathtaking images, movies, and a variety of animations to take the viewer into Saturn’s complex system of rings and moons, as well as stepping viewers through some of the more exciting scientific discoveries made over the course of the elaborately complex mission.

Music for Black Pigeons is the first collaboration between Jørgen Leth and Andreas Koefoed. The film poses existential questions to influential jazz players such as Bill Frisell, Lee Konitz, Midori Takada and many others: How does it feel to play, and what does it mean to listen? What is it like to be a human being and spending your whole life trying to express something through sounds? The characters wake up, rehearse, record, perform and talk about music. In some moments they are on the edge, the edge of existence, constantly challenging themselves. They listen. They devote themselves to finding a space to create a connection to something bigger than themselves. Something that will outlast all of us.

An uplifting documentary about coping with inoperable cancer may sound unlikely, but here it is. Gordon was diagnosed eight years ago and began using the medium of queer comic books to confront his feelings and fears. He employs humour to get to the heart of taboos surrounding death and disease, weaving many of the wonderful carers and nurses he meets into his expressively illustrated world. Sage, sweet, and stimulating, it is also a long-distance love story between Edinburgh and Virginia, USA. We could all learn a thing or two about love, life – and death – from Gordon.

Uganda has one the youngest populations in the world and one of its most flagrantly anti-democratic governments. These are ingredients for revolution, and Bobi Wine and his wife Barbie Kyagulanyi are stirring the pot. When the charismatic Bobi, a musician and member of parliament, announces his campaign for president, Uganda’s youth are ecstatic, filling parks and streets for every speech, and singing Bobi’s anthems of peace and freedom. But then comes the crackdown, orchestrated by Yoweri Museveni, a brutal dictator who has ruled Uganda for 36 years. Bobi and his crew survive arrests, beatings, torture, riots and raids.

Through his ever changing reinvention, Bowie has become a symbol for fearlessness, innovation and creativity. He has become a true icon. A Phenomena that people will always remember, as he altered music forever.

The Texas Rangers chase down a gang of outlaws led by Butch Cavendish, but the gang ambushes the Rangers, seemingly killing them all. One survivor is found, however, by an American Indian named Tonto, who nurses him back to health. The Ranger, donning a mask and riding a white stallion named Silver, teams up with Tonto to bring the unscrupulous gang and others of that ilk to justice.

A married man meets a beautiful woman and they begin an affair.

Wiz’s Weekender (1992) was a film ahead of its time, both in form and content. It engaged with contemporary issues that mainstream media were eager to sensationalise. Consequently, it was branded with an 18 certificate and banned by both the BBC and ITV, never reaching a wider audience. For the past three decades, Weekender has bubbled just below the surface, gaining genuine cult status and influencing a vast network of creators. In the run-up to its thirtieth anniversary filmmakers Tabitha Denholm and Adam Dunlop interviewed people involved in the project. I Am Weekender is built around those conversations.