The Black Donnellys attempt to break the Guinness World Record for a concert played in every U.S. state while exploring Irish immigration to America and its influence and heritage.

A retrospective of the life and work of Glenn Gould, Hereafter synthesizes an incredible wealth of archival material from various sources.

One famous day. Five heroes. Five key turning points that changed the course of World War II during the D-Day landings, told through the eyes of the people who made a difference. Using rarely seen archival footage dramatic reconstruction and written accounts from eye witnesses, and personal testimony from five heroes, this is D-Day as never seen before.

Having faithfully served his South Melbourne parish for nearly four decades, the cantankerous, controversial Catholic provocateur affectionately called Father Bob is well known and loved, as much for his incorrigible media savvy and battles with Church hierarchy as for his staunch advocacy on behalf of the disadvantaged and disenfranchised. In Bob We Trust goes behind the scenes with Bob, documenting his everyday trials during one of the most turbulent times in his career: his forced retirement and eviction from the church he called home for 38 years.

We go behind the scenes and into the minds of artists as they capture, commemorate, and, at times, condemn our presidents.

Over the course of one year, this film follows the life of an ordinary Pyongyang family whose daughter was chosen to take part in one of the famous Korean “Spartakiads”. The ritualized explosions of color and joy contrast sharply with pale everyday reality, which is not particularly terrible, but rather quite surreal, like a typical life as seen “through the looking glass”.

Aiming to be an in-depth study of hooliganism (both in act and in what it is to be one), director Donal MacIntyre, a former undercover journalist who was once under assignment as a hooligan himself, asks why hooliganism came to be and also why, of all sports, it’s so closely associated with football (http://moviefarm.co.uk).

True to their name, Slave to Sirens — the first and only all-woman thrash metal band in the Middle East — are utterly magnetic. Amid a backdrop of political unrest and the heartbreaking unraveling of Beirut, five bandmates form a beacon of expression, resistance, and independence. Director Rita Baghdadi follows founders and guitarists Lilas Mayassi and Shery Bechara as their tenderness, and sometimes bitterness, for one another grows in ways both unexpected and deeply moving. Joined by vocalist Maya Khairallah, bassist Alma Doumani, and drummer Tatyana Boughaba, these women negotiate their emotional journeys through young adulthood in tumultuous circumstances with grace, raw passion, and a ferocious commitment to their art. Their grit is tested as they grapple with the complexities of friendship, sexuality, and the destruction around them.

What does it mean to lead men in war? What does it mean to come home? Hell and Back Again is a cinematically revolutionary film that asks and answers these questions with a power and intimacy no previous film about the conflict in Afghanistan has been able to achieve. It is a masterpiece in the cinema of war.

A documentary covering Firefly’s birth, death and rebirth from the perspective of both the fans and the cast and crew of both productions.

The Weight of Chains is a Canadian documentary film that takes a critical look at the role that the US, NATO and the EU played in the tragic breakup of a once peaceful and prosperous European state – Yugoslavia. The film, bursting with rare stock footage never before seen by Western audiences, is a creative first-hand look at why the West intervened in the Yugoslav conflict, with an impressive roster of interviews with academics, diplomats, media personalities and ordinary citizens of the former Yugoslav republics. This film also presents positive stories from the Yugoslav wars – people helping each other regardless of their ethnic background, stories of bravery and self-sacrifice.

Sir David Attenborough chooses his favourite recordings from the natural world that have revolutionised our understanding of song. Each one – from the song of the largest lemur to the song of the humpback whale to the song of the lyrebird – was recorded in his lifetime. When Sir David was born, the science of song had already been transformed by Charles Darwin’s theory of sexual selection: singing is dangerous as it reveals the singer’s location to predators, but it also offers the male a huge reward, the chance to attract a female and pass on genes to the next generation. Hence males sing and females don’t.