Weighed down by his deadbeat father and unrelenting financial debts, Joss is forced to sink deeper into a criminal underworld to escape his burdens. As the line between his two lives thins, Joss frantically begins constructing an escape from his sins he commits before they swallow him whole.
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Naina is a very serious girl with a very serious life. But one day, her soul is awakened by the happy-go-lucky Aman, who teaches her that life is meant to be lived. Naturally, she falls in love with him. But Aman is harboring a secret that keeps him from reciprocating Naina’s love. But he cannot stand having her live a life without love, so he sets off on a mission to fill her life with someone else’s love – someone she already knows…
October 1992. A group of law students head to a remote home upstate where a girl disappeared two years earlier. Director
Jaclyn Bethany
Writer
Jaclyn Bethany
Stars
Lucy WaltersRyan BuggleKaley Ronayne
Verona and Burt have moved to Colorado to be close to Burt’s parents but, with Veronica expecting their first child, Burt’s parents decide to move to Belgium, now leaving them in a place they hate and without a support structure in place. They set off on a whirlwind tour of of disparate locations where they have friends or relatives, sampling not only different cities and climates but also different families. Along the way they realize that the journey is less about discovering where they want to live and more about figuring out what type of parents they want to be.
The footloose ennui of Poland’s postwar generation is captured to perfection in this jazzy chronicle of a draft-dodger’s final day of freedom. A slacker before there was a word for it, Andrzej (played by Skolimowski himself) drifts through a series of open-ended encounters with women following a wake-up argument with his pouting wife, and a long-delayed military physical (the film’s title derives from one of the questions). Skolimowski hoarded four years’ worth of the annual film footage allotment from his Lódz film school in order to create this first feature marked by compositional bravado and a trademark air of the absurd. -Barbara Scharres, Gene Siskel Film Center
A young boy called Pip stumbles upon a hunted criminal who threatens him and demands food. A few years later, Pip finds that he has a benefactor. Imagining that Miss Havisham, a rich lady whose adopted daughter Estella he loves, is the benefactor, Pip believes in a grand plan at the end of which he will be married to Estella. However, when the criminal from his childhood turns up one stormy night and reveals that he, Magwitch, is his benefactor, Pip finds his dreams crumbling. Although initially repulsed by his benefactor, Pip gradually becomes loyal to him and stays with him until his death.
Sulekha is in awe of her brother-in-law Raghavendra for his intelligence. Parimal, her husband, decides to take up the challenge of fooling Raghavendra and goes to work for him as a driver.
Europe 1990, the Berlin wall has just crumbled: Katrine, raised in East Germany, but now living in Norway for the last 20 years, is a “war child”; the result of a love relationship between a Norwegian woman and a German occupation soldier during World War II. She enjoys a happy family life with her mother, her husband, daughter and granddaughter. But when a lawyer asks her and her mother to witness in a trial against the Norwegian state on behalf of the war children, she resists. Gradually, a web of concealments and secrets is unveiled, until Katrine is finally stripped of everything, and her loved ones are forced to take a stand: What carries more weight, the life they have lived together, or the lie it is based on?
John Carradine narrates five horror tales, each with a comically predictable surprise ending. In the first, “The Witches Clock,” the Farrells have purchased an old mansion in Salem Massachusetts and are warned by the town doctor of the history of witches in the community. The second story, “King of the Vampires,” deals with a slight-figured killer called the King of the Vampires by Scotland Yard. The third, “Monster Raid,” is about a man turned zombie when he ODs on his experimental drug. “Spark of Life” deals with a doctor Mendell obsessed with the experiments of a thrown-out professor named Erich von Frankenstein. “Count Alucard” is a variation on the Dracula story, with the Count acquiring the deed to Carfax Abbey from Harker as vampiresses and dead bodies start turning up.
Struggling to overcome cycles of betrayal, revenge and violence, the Traoré brothers continue to fight for a brighter future in a seedy Paris suburb.
