A fictional documentary that portrays the city of Dakar, Senegal, as we hear the conversation between a Senegalese man (the director, Djibril Diop Mambéty) and a French woman, Inge Hirschnitz. As we travel through the city in a picturesque horse drawn wagon, we chaotically rush into this and that popular neighborhood of the capital, discovering contrast after contrast: A small African community waiting at the Church’s door, Muslims praying on the sidewalk, the Rococo architecture of the Government buildings, the modest stores of the craftsmen near the main market.
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Judith, a nine-year-old girl disregarded by the people around her, fights her loneliness with the company of small dead animals she collects and hides in jars under the bed.
A seemingly ordinary day in the life of Quentin, a Parisian film-lover. After going to the cinema twice, he runs into a former college friend, listens to a girls’ conversation in a bar, then goes and meet his best friend, has a beer, and ends up spending the evening in the Parc Montsouris, where he meets Lise.
‘Where were you when I needed you? What do you want now?’ says the sister to her brother. A tiny village, the cars only stop here to take the young women to the city. ‘You were there yourself,’ she says. ‘That’s exactly the point,’ he replies. ‘Don’t go.’
Stranded in an Arctic mine, two survivors are forced to fight for their lives against a new kind of terror.
Through a structuralist and simultaneously ambiguous form, the image’s reality treads closer to the abstract, leaving the sunset and trees behind. As we enter the image’s gloaming, it reveals its true eye: reality’s pure haptic energy, where there is nothing but sonorous light, and the dregs of the Unknown.
It is an adaptation of the Charles Dickens classic A Christmas Carol, featuring Scrooge McDuck as his namesake and inspiration Ebenezer Scrooge and Mickey Mouse as Bob Cratchit. This film was based on a 1972 audio musical entitled Disney’s A Christmas Carol. It is a twenty-four minute animated short film produced by Walt Disney Productions as an accompaniment to a re-release of The Rescuers.
In the aftermath of a zombie outbreak, zombies are cured and exiled to secluded camps. There has been talk about rehabilitating post-zombies back into society. Steve, the journalist reporting on the case, thinks the zombies still pose a threat to society. He ventures into one of these camps to prove to the world that rehabilitation is out the question.
