As Cirque du Soleil reboots its flagship production, O, more than a year after an abrupt shutdown, performers and crew members face uncertainty as they work to return to their world-class standards in time for the (re)opening night in Las Vegas. With unfettered access, filmmaker Dawn Porter captures the dramatic journey of the world’s most famous circus act on its way back from the brink.
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Korengal picks up where Restrepo left off; the same men, the same valley, the same commanders, but a very different look at the experience of war.
Jackson Pollock said, “he makes the rest of us look academic,” Mark Rothko acknowledged him as a “myth-maker” and Clement Greenberg called him “a highly influential maverick and an independent genius.” Clyfford Still, one of the strongest, most original contributors to abstract expressionism, walked away from the commercial art world at the height of his career. Extremely disciplined, principled, and prolific, Still left behind a treasure trove of works like no other major artist in history. With a wonderful mosaic of archival material, found footage and audio recorded by the artist himself, Lifeline paints a picture of a modern icon, his uncompromising creative journey and the price of independence.
The fall of 2021 marked the 50th anniversary of Fiddler on the Roof, the film Pauline Kael (The New Yorker) called “the most powerful movie musical ever made.” Narrated by Jeff Goldblum, FIDDLER’S JOURNEY TO THE BIG SCREEN captures the humor and drama of director Norman Jewison’s quest to recreate the lost world of Jewish life in Tsarist Russia and re-envision the beloved stage hit as a wide-screen epic. Oscar-nominated filmmaker Daniel Raim puts us in the director’s chair and in Jewison’s heart and mind, drawing on behind-the-scenes footage and never-before-seen stills as well as original interviews with Jewison, Topol (Tevye), composer John Williams, production designer Robert F. Boyle, film critic Kenneth Turan, lyricist Sheldon Harnick, and actresses Rosalind Harris, Michele Marsh, and Neva Small (Tevye’s daughters). The film explores how the experience of making Fiddler deepened Jewison as an artist and revived his soul.
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A Good American tells the story of the best code-breaker the USA ever had and how he and a small team within NSA created a surveillance tool that could pick up any electronic signal on earth, filter it for targets and render results in real-time while keeping the privacy as demanded by the US constitution.
We Feed People spotlights renowned chef José Andrés and his nonprofit World Central Kitchen’s incredible mission and evolution over 12 years from being a scrappy group of grassroots volunteers to becoming one of the most highly regarded humanitarian aid organizations in the disaster relief sector.
An extraordinary adventure through the interior of the human body; or the discovery of an alien landscape of unprecedented beauty.
The history of New York City’s Apollo Theater in Harlem is given the full treatment.
The life and provocative work and writings of First Nations artist, Richard Bell. The film reveals the “two Richards” – “Richie” the provocateur and enfant terrible of the art world who challenges its whiteness, and the Richard who spent his childhood living in a tin shed, learnt his politics on the streets of Redfern and is known in his own community as an “activist”.
Shortly after the collapse of the Soviet Union, the Pittsburgh Penguins and the famed Red Army hockey team formed a joint venture that redefined what was possible in the new Russia. Eccentric marketing whiz, Steve Warshaw, is sent to Moscow and tasked to transform the team into the greatest show in Russia, attracting some of the biggest names in Hollywood and advertising along the way. He takes the viewer on a bizarre journey highlighting a pivotal moment in U.S.-Russian relations during a lawless era when oligarchs made their fortunes and multiple murders went unsolved.
Ësáasi Eweera, one of the last kings of the Bubi people of Equatorial Guinea and a threat to Spanish colonial rule, died in suspicious circumstances. A century later, the case is reopened: a formalist detective story and an indictment of colonialism.