Jhunku, a 14-year-old youth in 1930s British Bangladesh, embarks on a journey to determine where he belongs.
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When Apache chief Nanchez is captured by the cavalry, his white squaw and infant son are returned to civilization by Sergeant Hook, but Nanchez escapes custody and attempts to re-claim his son.
An elderly piano teacher recently diagnosed with terminal cancer lives in fear of death. But her real fear is who will take care of her cat, her only friend, after her death. As she tries to find someone to take care of her cat, the generational clash of the times and the drastically changing urban identity of Istanbul confront her with an unpleasant prospect.
Paul Hogan plays Charlie McFarland and Shane Jacobson plays his estranged son, Boots. After a family tragedy Charlie and Boots try and put their differences aside and head off on the road trip of a lifetime – from regional Victoria to the Cape York Peninsula – they overcome many challenges to reach their dream – to fish off the northern most tip of Australia.
On the brink of a midlife crisis, 30-something Mike O’Donnell wishes he could have a “do-over.” And that’s exactly what he gets when he wakes up one morning to find he’s 17 years old again. With his adult mind stuck inside the body of a teenager, Mike actually has the chance to reverse some decisions he wishes he’d never made. But maybe they weren’t so bad after all.
Grace, a teenage girl dying of cancer crashes a funeral home to find out what will happen to her after she dies but ends up teaching the awkward funeral director, Bill Jankowski how to celebrate life.
In a time when monsters walk the Earth, humanity’s fight for its future sets Godzilla and Kong on a collision course that will see the two most powerful forces of nature on the planet collide in a spectacular battle for the ages.
Known as America’s Poet, Henry Wadsworth Longfellow leads an idyllic life – until the day his world is shattered by tragedy. With a nation divided by Civil War and his family torn apart, Henry puts down his pen, silenced by grief. But it’s the sound of Christmas morning that reignites the poet’s lost voice as he discovers the resounding hope of rekindled faith.
A group of family and friends in a residential association experience a major shift upon the arrival of a peculiar new tenant.
“Tomorrow’s Promise is a film about vacantness. Which physically does ‘begin’, reversed, upside down on the screen […] suddenly another such position is taken (not in reverse), this time by a male figure and soon, in this same section, the girl of the reversed image reappears posed in a different way; a way obsessed by ‘mood’. Then a technical play of in-the-camera-editing occurs, more intense, brighter than in the first, reversed section. There are several inter-cuts which serve, in this and each subsequent section unto the end, as relative links into the final section: which is actually the ‘story’. The story the protagonist and her hero try to tell in their way is apophysis; except that ‘pictures’, clear visions take the place of words. My film could have been edited with precise tensions and a lucid straight narrative, but it was my aim to ‘re-create’ the protagonist of my personal life.” – Edward Owens
When bike courier Chris witnesses what looks like a murder, his first instinct is to cut and run. But when his curiosity draws him back in, he’s soon embroiled in a world of corruption, political power, and illegal bike racing.
Napoleon Bonaparte crowns himself emperor and fights the English, Austrians and Russians in 1802.