Mouna Rudo was born and raised among the Seediq people, an indigenous tribe in Taiwan, and as he grew to be a man he became a member of the Seediq Bale, a courageous band of native warriors. However, Rudo’s way of life is threatened under the yoke of occupying forces from Japan, who took over the nation in 1895. As Rudo sees the traditions and honor of his people stripped away, he realizes the time has come to fight back, and in 1930 he brings together a group of former Seediq Bale soldiers, many of whom have been reduced to infighting, and molds them into a revolutionary army. Rudo and his comrades make their stand when they confront Japanese occupation troops at a youth athletic event, leading to a violent confrontation between the Seediq forces and their oppressors. Warriors of the Rainbow: Seediq Bale – Part 2: The Rainbow Bridge is Part two of the two-part, four-hour Taiwanese edition of the film Warriors of the Rainbow.

A legendary American war veteran is recruited to hunt a mythical creature.

A woman seeks to escape her engagement to a violent politician, but when a stranger comes to her aid, the two face an onslaught of bigotry and hate.

A student will do anything to become part of the “in-crowd” at the exclusive school she attends in New York.

Japan falls into chaos after the earthquake in eastern Japan. The Japanese government then learns from the American CIA that uranium is being smuggled in Japan. The anti-terrorism investigators led by Kenji Sumimoto (Atsuro Watabe) attempt to uncover the truth by tracking the wife of a company president who is suspected of being the contact for the terrorists. An undercover Korean policeman (Kim Kang-Woo) helps the case.

Lieutenant Rip Crandall is hoodwinked into taking command of the “Wackiest Ship in the Navy” – a real garbage scow with a crew of misfits who don’t know a jib from a jigger. What none of them knows, including Crandall, is that this ship has a very important top-secret mission to complete in waters patrolled by the Japanese fleet. Their mission will save hundreds of allied lives – if only they can get there in one piece.

Tinto Brass – The maestro of Italian erotica is back! Lies, subterfuge, betrayal and mischief. Fallo! is a collection of six stories based on the joys of sexuality and the eroticism of a new generation of women.

After the death of Rini’s mother, something is disturbing her family.

Good Witch Cassie Nightingale (Catherine Bell) is back to her bewitching ways, but this time she’s also juggling a newborn daughter and her job as town Mayor. With such a busy schedule she and her husband, town sheriff Jake Russell (Chris Potter), aren’t getting much sleep. Hoping for a break, Cassie plans a much needed vacation with her new family. But things go awry when a crime wave sweeps through town and an investigative reporter (Geordie Johnson) tries to ruin Cassie’s image after a video of her magically disappearing turns up on the internet. To make matters worse, Cassie’s estranged foster mother (Janet-Laine Green) appears in town and Cassie’s stepdaughter (Hannah Endicott-Douglas) is suddenly accused of the recent robberies. Supported by her loyal family and friends, Cassie must rely on her signature charm to put a stop to the rumors before they completely destroy the town, and a Good Witch’s reputation!

Albert Nobbs struggles to survive in late 19th century Ireland, where women aren’t encouraged to be independent. Posing as a man, so she can work as a butler in Dublin’s most posh hotel, Albert meets a handsome painter and looks to escape the lie she has been living.

Thomas Harrison is determined to start his own alternative band after the suicide of Kurt Cobain—it’s an obsession that blinds him to what’s either the mental collapse, or the eruption of musical genius, of his little sister, Bridget. Bridget boldly rejects her brother’s music, and the music of an entire generation of slackers, by taking on the persona of a gangsta’ rapper.

A slick robotics expert joins a murderous plot after a passionate affair takes a sudden turn, but nothing — not even death — is what it seems to be.