Simon Leach is a very, very sick man. Thriving on despair, pain, and panic, he unites a group of broken and desperate people in the middle of the desert. He showers them with the love and affection they’re so desperate for, but Simon has a much greater plan for his followers.
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Eight of the world’s most legendary monsters, along with their diabolical managers, compete in a wrestling tournament deathmatch to determine the most powerful champion of all time. Interviews, pre-fight breakdowns, trash talking, and monster origin segments round out this ultimate fight of the living dead.
Returning to her home town, overwhelmed by the birth of her firstborn, nineteen-year-old Chloe van Heerden tries to come to terms with motherhood. Despite the support from her own mother, Chloe struggles with the demands of caring for a newborn child. The incessant crying of her baby, the growing sense of guilt and paranoia send her into a dark depression. With a heightened urge to protect her son, she sees danger everywhere.
The Draymen Estate has become an urban legend. Amongst the sinister stories of unsavoury locals and brutal violence, several people have apparently gone missing. Even the police won’t go there. Eter two naive student filmmakers with a well-meaning plan to make a sympathetic documentary of life on the estate. The unlucky duo quickly discovers that problems of drugs and crime in this community go way beyond the norm. This is a community which is about to present the students with material of unimaginable horror – turning their final project int their darkest nightmare.
It’s the closing night at the last drive-in theater in America and Cecil B. Kaufman has planned the ultimate marathon of lost film prints to unleash upon his faithful cinephile patrons. Four films so rare that they have never been exhibited publicly on American soil until this very night! With titles like Wadzilla, Deathecation, The Diary of Anne Frankenstein, and Zom-B-Movie, Chillerama not only celebrates the golden age of drive-in B horror shlock but also spans over four decades of cinema with something for every bad taste.
Claire wakes one day to find herself chained in a basement. Her horror is amplified when she discovers that her captor is her own mother! Helen assures Claire that the situation is necessary and “for her own good.” And to add to Claire’s terror, in the days and nights to follow she is beset by strange apparitions and frightening experiences, finding herself precariously balanced on a razor’s edge between reality and insanity, and ultimately forced to face a dark truth.
Loner Mark Lewis works at a film studio during the day and, at night, takes racy photographs of women. Also he’s making a documentary on fear, which involves recording the reactions of victims as he murders them. He befriends Helen, the daughter of the family living in the apartment below his, and he tells her vaguely about the movie he is making. She sneaks into Mark’s apartment to watch it and is horrified by what she sees — especially when Mark catches her.
