Wind From the East is a product of Jean-Luc Godard’s involvement, during the late 60s and early 70s, with a collective filmmaking experiment known as the Dziga Vertov Group. The film is, typically of the films he made during this period, about ideas and simultaneously about how best to express those ideas through the medium of film. The film deals with the situation of a strike and, during its first half, methodically analyzes the different components of the strike: the workers, the radical students who encourage the strike while not quite being able to communicate in the same terms as the workers, the union delegates and other middlemen who preach moderation and compromise, the employers who demand the immediate resumption of work, the police state that suppresses the strike on behalf of capitalism.

Buried by treacherous conditions at the top of Mt. Baekdu, a policeman must brave the extreme weather until his transfer comes through. When a group of thieves stumbles into the station in search of safe shelter, both sides must fight for survival.

The film is set in a small Texas town, where an ancient Egyptian cat god, in the form of a cheap statue, commands all the local felines to surrender their nine lives; a mass cat suicide ensues, as cat after cat throw themselves off roofs, bridges and telephone poles. However, the dead felines are revived, becoming beautiful women in the process, given one goal: mate with and exterminate the population of human males in order to make room for “The Great Litter”.

Charlie and his little brother Simon live a secluded life, feeding off of the land and surviving on their own. The monotony of their lives remains unchanged: day after day, month after month, yet, something keeps them from growing comfortable, from feeling safe. And all too soon, the nightmare brewing beneath the surface of their quiet farm life will erupt. For how can one survive the end of the world and expect their future to be bright? How can one expect there to be a future at all?

The film chronicles the rise and fall of the world’s most feared drug lord Pablo Escobar and his volatile love affair with Colombia’s most famous journalist Virginia Vallejo throughout a reign of terror that tore a country apart.

A retired horse trainer finds a young runaway girl in his barn. Skeptic at first, he let’s her stay and a friendship develops while he discovers her heart and talent for horses.

From front rooms, Black families, friends, students and older generations navigate British and American society today.

Frankie McGuire, one of the IRA’s deadliest assassins, draws an American family into the crossfire of terrorism. But when he is sent to the U.S. to buy weapons, Frankie is housed with the family of Tom O’Meara, a New York cop who knows nothing about Frankie’s real identity. Their surprising friendship, and Tom’s growing suspicions, forces Frankie to choose between the promise of peace or a lifetime of murder.

Jonas, a 40 something Parisian, is still desperately in love with his ex-girlfriend Léa. When he knocks on her door to confess his feelings and she turns him down, he ends up at the café downstairs. Inspiration strikes and he sits down to write her a long love letter, dodging everything he was supposed to do that day. What begins as a last attempt to get her back surprisingly turns into a vivid musing on the state of his life. Over the course of a day, helped by a wisecracking bartender and an array of patrons from the neighborhood, Jonas has to face his past relationships, his uncertain future and, most of all, himself.

Oliver’s (Eric Mabius) Divine Delivery Theory is put to the test when he and the POstables (Kristin Booth, Geoff Gustafson and Crystal Lowe) seem to be unable to deliver a damaged letter from a military veteran that’s a matter of life and death

Rebellious 16 year old Poppy from Mailibu is sent to an English boarding school. Realising her Father isn’t coming back to rescue her she tries to get expelled.

Two work colleagues: he suffers from panic attacks, she has extreme PMS. Their company distributes toy planetariums. What may not sound like Ozu Yasujirō is actually precisely that: people are attentive and do each other good, without even realising.