Marius and Ebba is a couple in their late 20’s who is in constant conflict even though they love each other deeply. Every New Years Eve they try to break up. A story about love and dysfunction told over the course of three years.

A young man hits rock bottom as a ride share driver when his car breaks down, his life changes when he magically gets new things every day in his car. If he can only figure out what’s causing it.

Chicago February 14th 1929. Al Capone finally establishes himself as the city’s boss of organised crime. In a north-side garage his hoods, dressed as policemen, surprise and mow down with machine-guns the key members of Bugs Moran’s rival gang. The film traces the history of the incident, and the lives affected and in some cases ended by it.

Dominick Darga, a young white writer, struggles to pick up the pieces of his life after the death of his 3-year-old child and a failed marriage. He stumbles across a retired black psychiatrist who sees his potential, but who first must uncover the darkness that lies buried inside of Dominick’s past and crumbling present. SOLOMON is a story of relationships, preconceptions, race, and faith that explores the life-changing effects of a meeting between two very different people from very different backgrounds and the unshakable bond that develops between them.

Chicano gangster Micky Solis finds that his family has been slaughtered by the Chinese mob. His whole life force turns to finding the killers. A slick lawyer (Angus MacFadyen) leads Micky to a “nun” (Paz De La Huerta) who shows him who the killers are that took his family from him. Micky unleashes a war of bullets and emotions on the family until each one dies by the same sword they wielded. The only thought on Micky’s mind is REVENGE: VENGANZA.

A fiercely independent cowboy arranges to have himself locked up in jail in order to then escape with an old friend who has been sentenced to the penitentiary.

When a workaholic young executive, is left at the altar, she ends up on her Caribbean honeymoon cruise with the last person she ever expected: her estranged and equally workaholic father. The two depart as strangers, but over the course of a few hilarious adventures, a couple of umbrella-clad cocktails and a whole lot of soul-searching, they return with a renewed appreciation for family and life.

The spear signifies political power, the arrow personal ambition. What happens when the two collide?

A young and successful insurance underwriter must allow her mentally unstable mother to move in with her after the institution in which the mother had been living is deemed unfit for occupancy. The mother then begins to dislike how close her daughter is with her boss.

The ostensibly simple story of a sympathetic veteran teacher giving Italian lessons to a weekly class of diverse immigrants is given infinitely more depth and complexity by the manner in which director Daniele Gaglianone renders his story. Blurring the lines between fact and fiction, truth and artifice, and between documentary and drama, Gaglianone has created a film within a film. You see the apparent artifice of Gaglianone’s crew using professionals, including the noted film actor Valerio Mastandrea as the teacher, interlinked with ‘real’ immigrant protagonists, studying the language to improve their chances of employment and of gaining a permanent residence permit. Thus in the course of the lessons there is simultaneously the painful and upsetting relation of the students’ personal stories but also humour, as they interact and share their humanity, bridging cultural differences, united in their striving to make a better life for themselves. (Source: LFF programme)

George Murray’s fiancée Jane Gardner gets cold feet after accepting his ring, terrorized by her first wedding with Doug, who cheated that very day with their wedding coordinator. After a car crash, George finds himself 10 years in the past, just days before Doug’s day.

He’s one of the hardest working filmmakers in the genre business…….So what’s HATCHET man Adam Green been up to this past year apart from working on his sit-com ‘Holliston’, writing KILLER PIZZA and prepping EXORCISM ON CROOKED LAKE? The answer is this documentary starting out exploring genre-based monster art and then taking an odd turn into the blurring of fantasy and reality. Because halfway through producing this treatise with cinematographer Will Barratt at his L.A. ArieScope Pictures offices, they are contacted by former policeman William Dekker who claims he can prove that monsters are indeed real. That they live in world just below our own named The Marrow and he knows where one of the entrances to this dark hidden universe is. Green of course is intrigued and so the monster hunting expedition begins… to become something else far more frightening than he ever imagined.