Christine Collins is overjoyed when her kidnapped son is brought back home. But when Christine suspects that the boy returned to her isn’t her child, the police captain has her committed to an asylum.
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Young Polish nobleman Jakub is saved from imprisonment by a stranger. In return, the stranger wants to obtain a list of Jakub’s fellow conspirators. As he follows his mysterious savior across the country, Jakub is affected by the overall chaos and moral corruption; he goes insane and becomes a mass murderer.
In his delirium from his return from war, Francesco Bernardone goes back in his memories to the days when he lived for parties and carnal pleasures. He slowly recovers, but after the illness he is no longer the Francesco that everybody knew. Instead of spending hours in taverns, he meditates on the beauty of God’s creatures, soon renouncing his riches and his family with plans to rebuild an abandoned church and his life.
Akemi is a laboratory technician who spends her evenings spying on her gangster neighbor as he makes love to his stripper girlfriend. The objects of Akemi’s voyeuristic attentions learn of her interests and suggest that she would make a fine prostitute. Surprisingly Akemi agrees and channels her interests into this more lucrative occupation.
In an ethereal, high-ceilinged room, women stand, waiting. Perhaps it’s Purgatory and they’re dead. In the room, two young women, one an actress and the other a psychologist, watch the last few days of their lives on a TV screen. Both are having affairs with married men, each has a long encounter with her lover’s wife, and both these scenes take place in a ladies’ room, one backstage at a play that’s about to preview, the other at an opera house during the first act. The relationships between each pair of younger and older women take surprising turns, and in the room with the TV, a sylph asks probing and challenging questions of the two young women as they watch.
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