After waking up from a year-long coma, an insecure young man must fight his controlling father in order to discover what really happened to his seemingly absent mother, as the true consequences of his past actions unravel before him. Richard is stuck in a limbo of denial and lost in the past, thinking that he can essentially reverse it and bring back the dead – with deadly consequences.
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Agnese and Stefano are profoundly different. She is only seventeen, lives with her mother – a harsh and devoted woman – is a regular church-goer and is about to take a vow of chastity to last until marriage. He is twenty-five, has a violent temper and a difficult past behind. He works as a warden in a car park that borders a Roma camp. Their unexpected meeting engenders a true sentiment, made of little stolen moments and mutual help.
Three partisans bound by a strong friendship return home after the war, but the clash with everyday reality puts a strain on their bond.
Isabelle Adjani and Gerard Depardieu star in director Jean-Paul Rappenau’s amusing farce set on the eve of World War II, which follows the intersecting lives of four Parisians as they cope with the impending invasion of their city by German forces. As the French government braces for impact, the lives of a young writer, a vain movie star, a French politician and a young scientist are examined as they attempt to deal with war and evade German spies.
Based on true events, “Lady of Guadalupe” is a moving religious discovery juxtaposing folklore and the present day. Historically significant recreations are used to illustrate the origin of her prevalent and powerful symbolism of Mexican identity and faith. When a young and ambitious reporter (Guillermo Iván) is assigned an article on faith, he finds himself enmeshed in the legend of Juan Diego and Our Lady of Guadalupe. Skeptical of miracles and the importance of modern-day Christianity, the reporter’s investigation takes him from cynic to true believer as his personal limits are tested.
Things were cool. Chicks were pretty. Waves were groovy. Cars had muscle. Jan and Dean rode their wave to the top of the pop charts. Then, in 1966, on their way to becoming rock and roll legends, they have to cope with a devastating car crash that leaves Jan brain-damaged and their dreams shattered.
Jim Natter, the leader of a violent Kuk Klux Klan lodge, is shot dead. His teenage son Eric Natter is found nearby, and taken into police custody for his protection pending the investigation. While four cops drive him to a safe-house, they are ambushed. Three of them shot dead, including Deputy Lawrence, and his black partner Jerry Robinson is accused of the murders.
The mental breakdown of a guilt-ridden man provides the drama in this fascinating psychological profile starring Richard Attenborough as a scientist who can’t live with himself after he accidently kills the brother of his fiancee.
When Sanlian’s ex-husband passes away, she discovers he has altered his insurance policy, cutting out their son in favor of a stranger named Jay.
We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.
A friend of the detective has been is murdered. During the investigation, he comes across a source which tells him that his friend was murdered for involvement with the dark side of the political world. On top of that, a woman approaches the detective with a request.