Camp Blood is under new ownership as the updated “Camp Blackwood”. Locals hope to bury the infamous clown killer’s past, and release the victims from their torment. But when a pastor with ties to the previous grounds takes his church group out to make contact with restless spirits, wrath is all they are doomed to find. The clown killer is back, and this time he has an enemy of equal evil. His former cult followers have turned, as well as a vengeful witch, who will stop at nothing to see these titans of terror collide, and destroy anyone in their path.

Mouna Rudo was born and raised among the Seediq people, an indigenous tribe in Taiwan, and as he grew to be a man he became a member of the Seediq Bale, a courageous band of native warriors. However, Rudo’s way of life is threatened under the yoke of occupying forces from Japan, who took over the nation in 1895. As Rudo sees the traditions and honor of his people stripped away, he realizes the time has come to fight back, and in 1930 he brings together a group of former Seediq Bale soldiers, many of whom have been reduced to infighting, and molds them into a revolutionary army. Rudo and his comrades make their stand when they confront Japanese occupation troops at a youth athletic event, leading to a violent confrontation between the Seediq forces and their oppressors. Warriors of the Rainbow: Seediq Bale – Part 2: The Rainbow Bridge is Part two of the two-part, four-hour Taiwanese edition of the film Warriors of the Rainbow.

New York City. Melvin Udall, a cranky, bigoted, obsessive-compulsive writer, finds his life turned upside down when neighboring gay artist Simon is hospitalized and his dog is entrusted to Melvin. In addition, Carol, the only waitress who will tolerate him, must leave work to care for her sick son, making it impossible for Melvin to eat breakfast.

Tony Manero is a Brooklyn paint-store clerk who’d give anything to break out of his dead-end existence. In life, Tony is a peasant; on the disco dance floor, he’s a king. As the soundtrack plays one Bee Gees hit after another, white-suited Tony struts his stuff amidst flashing lights and sweaty, undulating bodies. Tony’s class aspirations are mirrored in his relationship with his dance partner, a secretary eager to move into the glamorous world of Manhattan.

Eccentric 70-year-old widow purchases the Windmill Theatre in London as a post-widowhood hobby. After starting an innovative continuous variety review, which is copied by other theaters, they begin to lose money. Mrs Henderson suggests they add female nudity similar to the Moulin Rouge in Paris

Classic dramatization of America’s best-known case of a woman suffering from multiple personality disorder, and her road to recovery.

In 1964, a Catholic school nun questions a priest’s ambiguous relationship with a troubled young student, suspecting him of abuse. He denies the charges, and much of the film’s quick-fire dialogue tackles themes of religion, morality, and authority.

A government agent is determined to come to his son’s rescue, when a sinister official kidnaps him to harness his extremely powerful psychic abilities.

The film centers on Ukrainian surgeon Serhiy, who is captured by the Russian military forces in the conflict zone in Eastern Ukraine, and while in captivity, he is exposed to horrifying scenes of humiliation, violence and indifference toward human life. After his release, he returns to his comfortable middle-class apartment and tries to find a purpose in life by rebuilding his relationship with his daughter and ex-wife. He learns how to be a human being again, how to be a father and help his daughter, who needs his love and support.

Meredith is a 35 year-old unmarried woman who arrives at a remote lighthouse island 1928 with her uncle the new head keeper.

Fresh out of business school, Zachery Cranston seems to have all the tools necessary to succeed in the world of finance. But he is ambitious to a fault and finds himself lured by a dramatic new idea for a fund that may not be so legal.

This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.