CBGB looks at New York’s dynamic punk rock scene through the lens of the ground-breaking Lower East Side club started by eccentric Hilly Kristal (Alan Rickman) in 1973 which launched thousands of bands.
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John Woo’s “The Killer” meets Shakespeare’s MacBeth in this gun barrel, hip-hop drama seen through African eyes. “Bloody Streetz” is the story of what happens when a ruthless killer for hire runs up against an African spirit and is forced to learn the errors of his ways.
Wind From the East is a product of Jean-Luc Godard’s involvement, during the late 60s and early 70s, with a collective filmmaking experiment known as the Dziga Vertov Group. The film is, typically of the films he made during this period, about ideas and simultaneously about how best to express those ideas through the medium of film. The film deals with the situation of a strike and, during its first half, methodically analyzes the different components of the strike: the workers, the radical students who encourage the strike while not quite being able to communicate in the same terms as the workers, the union delegates and other middlemen who preach moderation and compromise, the employers who demand the immediate resumption of work, the police state that suppresses the strike on behalf of capitalism.
Turkish writer-director Yesim Ustaoglu offers a parallel study of two women — a psychiatrist with a long-time live-in partner and a wife in a conservative, nearly tyrannical household — in this study of the possibilities and limitations that exist for women in Turkey today.
After being denied an American visa, a Bolivian professor becomes involved in a web of criminal activities, holds-up the American consulate and falls for a beautiful prostitute from the Bolivian lowlands.
A distant, slightly dysfunctional family is brought closer together when the father’s long-estranged Uncle Nino comes from Italy to Chicago for a surprise visit.
Seoul, South Korea, September 21st, 2008. Eight citizens, the first to intervene as jurors in the country’s legal history, are randomly selected to examine a matricide case that appears to have been resolved due to the existence of apparently conclusive evidence.
“Oscar Pistorius: Blade Runner Killer” tells the story of the sprint runner dubbed the “Blade Runner,” and his rise to fame as a gold medalist Paralympic champion and as the first double-leg amputee to participate in the Olympics. Oscar’s (Andreas Damm, “Elementary”) resilience to overcome his disability combined with his apparent fairy tale relationship with model Reeva Steenkap (Toni Garrn, “Under the Bed”) turned him into a media favorite. This all shattered one Valentine’s Day night when four bullets were fired and Reeva’s life was taken. Her brutal death shocked the world and the court room drama that followed consumed the news. “Oscar Pistorius: Blade Runner Killer” provides an inside look at the events leading up to Reeva’s killing, the cracks that formed in the relationship between Oscar and Reeva, as well as the courtroom drama that followed, revealing what happened on that tragic night.
A hip and happenin’ all girl rock group head to LA to claim lead-singer Kelly’s inheritance and make it (and make it) in LA. Soon the girls fall into a morass of drugs and deceit as their recording success soars. It takes several tragedies to make them stop and think… but is it too late?