Having served a prison sentence for robbery, Pete Carver decides to go back for the hidden loot. But someone is on his trail.
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A newly married gunfighter seeks a quiet life with his bride. When he kills a bandit in self-defense, he finds them both pulled back into his old ways. The corrupt mayor of their locale will not let his brother’s death go unpunished.
Knowing the railroad is coming, Carter is after the rancher’s land. Bob and Chito return just in time to save Banker Stockton and his money from Carter’s men. When Stockton then lends the ranchers money, Carter has them burned out. Bob knows Carter is responsible and when Carter’s henchman Saunders is recognized, Bob goes into action.
While crossing the desert, a frontier scout, Jess Remsberg (Garner), rescues Ellen Grange (Andersson) from a pursuing band of Apaches, and returns her to her husband, Willard Grange (Weaver). He is contracted to act as a scout for an Army cavalry unit. Willard, Ellen, and her infant son are along for the ride, as is horse trader Toller (Poitier), a veteran of the 10th Cavalry (the “Buffalo Soldiers”). The party is trapped in a canyon by Chata, an Apache chief and grandfather of Ellen’s baby. Willard is captured and tortured. Jess sneaks away and brings reinforcements just in time to save the day. Jess learns that the man he has been hunting is none other than Willard Grange.
Seeking a new place to call home, former Confederate soldier Ben Lassiter (Victor Mature) and his daughter meet Beth (Elaine Stewart), whose fiancé is a Union soldier. Lassiter falls for Beth, and when Indians attack, they head to a cavalry camp where Lassiter must battle the Indians as well as Beth’s fiancé.
After serving his county in the Civil War as a skilled sharpshooter, Will Drayton moved West in search of employment using his shooting skills. He ends up with the wrong type of people as a deadly assassin.
The Gunfight at the OK Corral only happened once, but has been tirelessly recreated in films, television shows and western towns ever since. No one has a monopoly on truth, and in Tombstone Rashomon, the truth is shared by six conflicting, yet historical perspectives. In doing so, the film’s narrative becomes prismatic and the result is perhaps the most comprehensive telling of the most important gunfight in American history. This is the Tombstone story told in the style of the Japanese classic Rashomon where we see history from several perspectives including that of Wyatt Earp, Doc Holliday, Kate, Ike Clanton, Colonel Hafford and Johnny Behan.
In this radically reimagined American Western set towards the end of the Civil War, Southerner Augusta encounters two renegade, drunken soldiers who are on a mission of pillage and violence. After escaping an attempted assault, Augusta races back to the isolated farmhouse that she shares with her sister Louise and their female slave Mad. When the pair of soldiers track Augusta down intent on exacting revenge, the trio of women are forced to take up arms to fend off their assailants, finding ways to resourcefully defend their home––and themselves––as the escalating attacks become more unpredictable and relentless.
Vittles, songs and dance are amply ladeled out when Judy Garland headlines The Harvey Girls, a joyous musical slice of Americana celebrating the restaurants that brought extra helpings of civilization to Old West rail passengers.
A former outlaw must prove himself innocent after he’s accused of bank robbery. Western.
A cowboy rides into a small town that is ruled with an iron fist by a corrupt sheriff. He becomes involved with a pretty young town girl and some residents who are trying to oust the sheriff, resulting in a robbery, a murder and his being pursued by a vengeful posse.