It is the Second World War. The Nazis have invaded Britain. There is a split between the resistance and those who prefer to collaborate with the invaders for a quiet life. The protagonist, a nurse, is caught in the middle.

Mira lives for the sport of ice hockey and leads her team as captain with a strong determination. It’s a challenge to reconcile this with her role in the family vineyard: with her mother and her adventurous but increasingly demented grandfather, she runs the farm – with all its responsibilities. The new player Theresa completely unsettles her with her nonchalance and openness. And when Mira’s missing brother Paul also turns up and all three get lost in late-night Vienna, Mira discovers the freedom it means to break rules, to reinvent herself – and that you can only love if you let go.

The activities of rampaging, indiscriminate serial killer Ben are recorded by a willingly complicit documentary team, who eventually become his accomplices and active participants. Ben provides casual commentary on the nature of his work and arbitrary musings on topics of interest to him, such as music or the conditions of low-income housing, and even goes so far as to introduce the documentary crew to his family. But their reckless indulgences soon get the better of them.

A compelling drama that explores the different meanings of being a parent through the gritty, realistic lives of a struggling family, and a privileged family. Their lives intersect, intertwine and collide, all for the love of a little boy. This film bravely exposes the humanity in each character reminding us that we each have the potential to be the best and worst versions of ourselves at any time.

Candy (Breyana Braswell) is cheated out thousands of dollars by her lover Bruce (Diego Ward). Candy is having to question her sanity and perception due to being psychologically manipulated by her lover and friends. Meanwhile, Candy’s son James (Nicholas Sikes) suffers from emotional trauma as he bears witness to fact-checking Candy’s twisted ways and high virtues.

A young woman who is determined to maintain her independence finds herself at odds with her family who wants her to tame her wild side and get married.

Combining European musical influences, perfect production and lyrics of love and loss, ABBA made us fall in love with the sound of Swedish melancholy. This documentary explores the music of ABBA and chronicles how they conquered both Sweden and Britain in the face of constant criticism.

It’s a hot summer day in 1933 in South Philly, where 12-year old Gennaro lives with his widowed mom and his ailing grandpa, who sits outside holding tight to his last quarter, which he’s promised to Gennaro and which Gennaro would like to have to buy a ticket to the plush new movie theater. But grandpa’s not ready to pass on the quarter or pass on to his final reward: he has some unfinished business with a woman from his past, and he enlists Gennaro to act as his emissary.

Sensitive and restless Johannes is accepted to an elite school in Tallinn and expects life to go uphill. Instead, he becomes the victim of mental abuse by his classmates. In search of recognition, he goes to his old Lasnamäe friends, who spend their time doing drugs, hanging around, and partying, rather than focusing on schoolwork. At home, Johannes must deal with his mother’s deteriorating mental health. As the tension grows, he finds himself at zero point, where he must completely reset his life to build it up from scratch.

Mabel travels to her hometown to find the murderer of her friend Daniela. A journey through nostalgia, love and betrayal in a place where transgenderism once took on an unusual dimension.

A cavalcade of English life from New Year’s Eve 1899 until 1933 seen through the eyes of well-to-do Londoners Jane and Robert Marryot. Amongst events touching their family are the Boer War, the death of Queen Victoria, the sinking of the Titanic and the Great War.

Exclamation Mark Question Point is the debut special from Andy Peters. More bootleg than traditional special, Andy recorded only one show, one night at The Virgil in Los Angeles. The special features a bouncy mix of Andy’s dive-in-head-first approach to comedy. With The Virgil’s intimate space as a backdrop, Andy litters the show with playful self-deprecating bits, a healthy dose of “screaming at strangers” and a nonstop stream of riffs.