In a futuristic resort, wealthy patrons can visit recreations of different time periods and experience their wildest fantasies with life-like robots. But when Richard Benjamin opts for the wild west, he gets more than he bargained for when a gunslinger robot goes berserk.

A gang of cold-blooded outlaws narrowly escapes a blood-soaked bank robbery in a grimy frontier town. With a notorious bounty hunter hot on their trail, these nefarious criminals desperately need a place to hide out before night falls. Fate brings them to the home of the Tildons, a seemingly innocent family with two feisty daughters. As the men settle in, an impetuous game of cat and mouse plays out during the cold, black night. Come morning, nothing will ever be the same.

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When his housekeeper’s daughter is kidnapped, Rambo crosses the U.S.-Mexican border to bring her home but finds himself up against the full might of one of Mexico’s most ruthless cartels.

An outlaw named Guerrero Hernandez is shot in the back and killed whilst attempting to free his half-brother from a small-town prison. Making a deal with the devil, Hernandez returns from the dead to take his revenge.

Three cowhands, between jobs, have the bad dumb luck to pitch night camp in the same valley as a cabin full of guys who just robbed a stagecoach and killed the guard. Come morning, a posse arrives, forms up along the ridge, and takes for granted that everyone down below is guilty–fit for either shooting to bits or hanging from a tree, whichever comes first. Precisely half of Ride in the Whirlwind’s 82 minutes is devoted to tapping the matter-of-fact, absurdist horror of that situation. In the remaining half, the two surviving cowpokes (Jack Nicholson and Cameron Mitchell) seek shelter at a farmhouse where they reluctantly threaten the farmer, accept breakfast from his wife, flirt with his daughter (Millie Perkins), play some checkers, and hope to remain undetected till nightfall.

Phoebe Titus is a tough, swaggering pioneer woman, but her ways become decidedly more feminine when she falls for California bound Peter Muncie. But Peter won’t be distracted from his journey and Phoebe is left alone and plenty busy with villains Jefferson Carteret and Lazarus Ward plotting at every turn to destroy her freighting company. She has not seen the last of Peter, however.

In 1893, heavily pregnant Molly Johnson and her children struggle in isolation to survive the harsh Australian landscape after her husband left to go droving sheep in the high country. One day, she finds a shackled Aboriginal fugitive named Yakada wounded on her property. As an unlikely bond begins to form between them he reveals secrets about her true identity. Realizing Molly’s husband is actually missing, new town lawman Nate Clintoff starts being suspicious and sends his constable to investigate.

After retiring from his life as an outlaw, ranch owner Nathaniel Reed quietly leads an honest existence with his devoted wife, Laura Lee. But his gun-slinging past suddenly comes back to haunt him when he learns that the man he once maimed during a stagecoach robbery is now a U.S. Marshal who will stop at nothing to find vengeance.

So goes to the U.S. to open a martial arts school. Around this time, many Chinese people were sold off to U.S. railroad companies, and were brutally treated by the Americans under the harsh working conditions. Thus, the American workers’ hatred towards the Chinese immigrants is high. As a result, So gets into trouble with the Americans and the mob, and calls Master Wong for help.

A woman seeking revenge for her murdered father hires a famous gunman, but he’s very different from what she expects.

Earlene arrives at Venice Beach after running away from an estranged lover, only to become fast friends with an Australian skater who is also lost. Together, they set out into the desert to find themselves.