During the Vietnam War, a soldier finds himself the outsider of his own squad when they unnecessarily kidnap a female villager. Based on the actual events of an incident on Hill 192 in November, 1966.
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In Medieval Japan, an elderly warlord retires, handing over his empire to his three sons. However, he vastly underestimates how their new-found power will corrupt them.
Ask any parents and the most common problem being faced by them in the current times will bring out the real picture of the educational institutes functioning in our present social system. Fast moving towards the extreme commercialism of this noble profession, the schools and colleges of every major city are no-where less than any corporate business houses running with the sole motive of profits. Have they forgotten their actual task of imparting education to the future generation and Have they completely given up the nobleness of the profession….are the questions raised by this well intended project aptly titled “Paathshaala”.
Ed Okin used to have a boring life. He used to have trouble getting to sleep. Then one night, he met Diana. Now, Ed’s having trouble staying alive.
Documentary filmmakers assert that Anthony Porter – a former death-row inmate who was spared the death penalty thanks to the efforts of a college journalism program – was actually guilty, and an innocent man was sent to prison.
BRUTAL centers on Trevor (Morgan Benoit), abducted from his backyard at the age of fifteen by an unseen alien presence. Forced into nearly two decades of no-holds-barred fights against other abductees inside an unearthly mixed martial arts arena, Trevor has evolved from an innocent boy into a brutal fighting machine. Derek, (Jeff Hatch) an ambulance chasing lawyer, is the latest lab-rat abductee forced to fight Trevor. As the two men exchange ever-increasing beating over the course of weeks and months, the brutality of their existence and the true nature of their humanity is slowly revealed. With elements of THE TWILIGHT ZONE and THE PRISONER, BRUTAL explores through science fiction, allegory and psychological drama, man’s violent nature and our propensity to commit unthinkable acts of violence against each other. Yet through this prism of brutality our capacity to love one another, even in the worst of circumstances is celebrated.
When their family patriarch is stabbed, seven women, each with ulterior motives, become trapped together in a mansion to solve the puzzle of his murder. This is the Italian remake of François Ozon’s 8 Women.
A young couple, feeling the pressures of parenting and adulthood, sends their kids to camp for the first time and embark on a series of sexual adventures to reinvigorate their relationship.
Three directors each adapt a Poe short story to the screen: “Toby Dammit” features a disheveled drugged and drunk English movie star who nods acceptance in the Italian press and his producers fawn over him. “Metzengerstein” features a Mediveal countess who has a love-hate relationship with a black stallion – who it turns out is really her dead lover. “William Wilson” tells the story of a sadistic Austrian student with an exact double whom he later kills.
The New York club scene of the 80s and 90s was a world like no other. Into this candy-colored, mirror ball playground stepped Michael Alig, a wannabe from nowhere special. Under the watchful eye of veteran club kid James St. James, Alig quickly rose to the top… and there was no place to go but down.
An ambitious Hollywood hustler becomes involved with a reclusive female star whom he tries to lure out of retirement.
Three close friends find themselves in dangerous situations when each of them try to end the toxic relationships they’re in.
