The story of brothers in a gospel group struggling to find the balance between life, love, faith, and religion, while under the strict rule of their father, a megachurch reverend.

In an attempt to help his friend with his impotence, Jaime sets up two friends together. But after the failure, he comes in to help. What first appeared to be just a sexual experience evolves to a full romantic relationship of three people.

Marsha, a con artist with a conscience, has agreed to take on an unusual scheme in order to pay off a debt to a lawyer who helped out her brother. An elderly millionaire is about to die, and the entire fortune has been willed to a stripper named Jean, who is unaware of the windfall awaiting her. Marsha’s task is to get to know Jean well enough that she can impersonate her at the reading of the will and take the inheritance for herself. Taking a job at the same strip club, the pair soon bond, but will Marsha’s feelings for her new friend outweigh her need to help pay off her brother’s debt?

The second film from British director Guy Ritchie. Snatch tells an obscure story similar to his first fast-paced crazy character-colliding filled film “Lock, Stock and Two Smoking Barrels.” There are two overlapping stories here – one is the search for a stolen diamond, and the other about a boxing promoter who’s having trouble with a psychotic gangster.

Rachel Watson, devastated by her recent divorce, spends her daily commute fantasizing about the seemingly perfect couple who live in a house that her train passes every day, until one morning she sees something shocking happen there and becomes entangled in the mystery that unfolds.

A duel between a suspected murderer and a detective pressed by people who want results. But whose skin is really wanted.

A college professor connects with a guide dog trainer after losing his eyesight and adopting a seeing eye dog.

George Kuffs didn’t finish high-school, just lost his job, and his college-age girlfriend is pregnant. To top it off, George’s brother Brad is killed and George inherits Brad’s “patrol special” privatized police district and all the problems that come with it.

Unless Darren can survive New York’s largest drug mogul, write a paper on Dante’s “Inferno,” escape three thugs chasing the wrong guy and sell fifty pills of ecstasy to make his tuition payment, he’ll never date the girl of his dreams.

A dramatization of the accounts of the students, parents, teachers and administrators caught in America’s school-to-prison pipeline, which pushes underprivileged, minority youth out of the classroom and into incarceration.

Albany, New York, Halloween, 1938. Francis Phelan and Helen Archer are bums, back in their birth city. She was a singer on the radio, he a major league pitcher. Death surrounds them: she’s sick, a pal has cancer, he digs graves at the cemetery and visits the grave of his infant son whom he dropped; visions of his past haunt him, including ghosts of two men he killed. That night, out drinking, Helen tries to sing at a bar. Next day, Fran visits his wife and children and meets a grandson. He could stay, but decides it’s not for him. Helen gets their things out of storage and finds a hotel. Amidst their mistakes and dereliction, the film explores their code of fairness and loyalty.

Chris, a young, independent filmmaker from Kerala gets inspired by Louis Malle’s 1969 documentary Calcutta and aspires to recreate the modern version of the documentary himself. He moves to Kolkata with his wife Anita, who is also a movie actress, to work on his documentary. While the shoot of the documentary is already progressing, Corona virus outbreak starts in India and his producer withholds the funds that he had agreed to release earlier. As the government imposed lock-down starts, Chris is stuck inside the rented apartment in Kolkata with Anita. To overcome the pent up frustrations, Chris decides to make a film about his own marriage without the knowledge of Anita.