Part-thriller, part-nightmarish examination of the widening gap between originality and technology, The Removals imagines where we go from here. A secretive, nefarious agency seeks to control the culture. They do this by covertly staging reproductions of everyday events, and by so doing, undermining the moment’s originality and currency. Society is then left to puzzle over what might be real, and what is fake. The agency employs symbols—like the fascists, like imperial powers of the past—notably a red cone, to plant their flag upon the moment. Two agents, Kathryn and Mason, exhausted by the toll each removal has taken from them, quietly, and then overtly, set out to undermine the agency. Haunting, engaging, and with a ferocity of vision that calls to mind the cerebral thrillers of Shane Carruth, David Lynch, or Andrei Tarkovsky, Nicholas Rombes’s directorial debut is a spellbinding new work and apt analogy for the wormhole where modern social communication leads.

The meeting of two lonely, marginal souls. There is Henri, a man in his 50s, limp, resigned, somewhat alcoholic. And Rosette, a (slightly) retarded woman who dreams of love, sexuality, normality

Squatters live on a mothballed oil tanker in the Persian Gulf. The children attend a school on board; men harvest scrap metal and old oil in the hull; women keep house and raise children and Captain Nemat runs it all with an iron hand. We follow a lad who rescues fish trapped in the hull, an old man who stares at the sun, the idealistic teacher, and Ahmad, the Captain’s assistant who has fallen in love with a young woman whose father wants to marry her to someone of means. What future has this sinking city?

In the ruins of post-WWII Berlin, a twelve-year-old boy is left to his own devices in order to help provide for his family.

In ancient Pompeii, slaves are bought and sold for household chores and sex. A mysterious queen moves among the elite, meantime secretly helping the slaves to escape. Eventually her life is also in jeopardy, and as the volcano erupts she and the slaves attempt to escape while being chased by the military.

Diggers is a coming-of-age story directed by Katherine Dieckmann. It portrays four working-class friends who grow up in The Hamptons, on the South Shore of Long Island, New York, as clam diggers in 1976. Their fathers were clam diggers as well as their grandfathers before them. They must cope with and learn to face the changing times in both their personal lives and their neighborhood.

A nursing student by day, massage therapist by night named Precious meets a client named Happy that leads her to the shady world of pornography.

A wealthy couple seeks to secretly adopt the unborn child of an impoverished and troubled rural teenager, in this slow-burning and ultimately shocking drama from writer-director Albert Shin.

Every worm has an opportunity to transform itself into a colorful butterfly at least once in its lifetime. But the road to transformation is painful and full of consequences. Will the worm decide to continue existing as a worm, or will it break its cocoon and finally bloom into a beautiful butterfly, which forms the genesis of Roopanthara?

Businessman Logan Stuart is torn between his love of two very different women in 1850s Oregon and his loyalty to a compulsive gambler friend who goes over the line.

When the spoiled son and newest wife of a billionaire patriarch plot to murder him, they form a psycho-sexual bond with their brutally handsome hitman as they kill and kill (and kill) in their quest for wealth and recognition.

The talented Hamoudi is an 11-year-old boy with a passion for soccer and an ultimate dream to one day reach the level of his idol Lionel Messi. The day Hamoudi is caught in a horrific suicide attempt, he wakes up severely injured in a hospital. As his parents struggle to keep the family safe, Hamoudi is determined to fight for his shattered dream.