Scheming of a way to save their father’s ranch, the Alvarez brothers find themselves in a war with Mexico’s most feared drug lord.
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Bean works as a caretaker at Britain’s formidable Royal National Gallery, and his bosses want to fire him because he sleeps at work all the time, but can’t because the chairman of the gallery’s board defends him. They send him to USA, to the small Los Angeles art gallery instead, where he’ll have to officiate at the opening of the greatest US picture ever (called “Whistler’s Mother”).
Commander Steve Rogers crash-lands on a planet inhabited solely by women. All of the men were killed in a mining accident some twenty years before. The town where he wakes up is straight out of the old West. Both the sheriff and the mayor of the town take an immediate liking to Steve and each tries to claim him for themselves. The local bar maid is also interested but not quite as pushy as the first two. It looks like our man Steve may be trapped on a planet of beautiful women. But as usual in these things, you need to be careful what you wish for since you might get it…
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Completely distraught after the sudden loss of her dad, filmmaker Shaina Feinberg will do anything she can to connect to him again. She catalogues her dad’s belongings – a calculator, a clock, a basket of lozenges. She forces her friends to wear his clothes and mimic his gestures. She takes a stab at making a webseries he’d always wanted to make – the name of which is “Senior Escort Service.” And she combs through his journal, where she finds out about a process of dealing with grief that was invented by the grandchildren of nazis.
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