Awkward, isolated and disapproving of most of the people around her, a precocious 19-year-old genius is challenged to put her convictions to the test by venturing out on to the NYC dating scene, in this adaptation of Caren Lissner’s best-selling 2003 novel.
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PUP STAR is back, with an all-new movie that takes the popular singing dogs on trip around the world, where Tiny and friends find fantastic new songs and meet exciting new canine singers that prove music really is the universal language.
Toni, a tomboyish boxer, lands a spot on an after-school drill team in the West End community of Cincinnati. She eagerly absorbs routines, masters drills, and even pierces her own ears to fit in. It’s the joy of her first friendships and her discovery of dance. Shortly after Toni joins the team, most of the girls on the team suffer from episodes of fainting, swooning, and shaking in a seemingly uncontrollable catharsis. Nobody can explain the mysterious outbreak. These fits soon transform into a rite of passage as the trauma draws the other girls closer together. Caught between her need for control and her desire for acceptance, Toni must decide how far she will go to embody her new ideals.
Prem Prakash Tiwari (Ayushmann Khurrana) listening to Kumar Sanu is the film’s opening shot. Set in Haridwar, 1990s, the film captures the nascent feel of the town. Prem owns a cassette shop in the local market. His father is keen to get him hitched and the family goes to a local temple to meet Sandhya (Bhumi Pednekar). B.Ed, waiting for a teaching job, the most visible thing about her is her weight. Coming from a patriarchal cognitive set-up, she doesn’t fit the quintessential idea of beautiful. And still, the school drop out Prem must marry her because he is incapable of attaining a girl with ‘Juhi-Chawla-level-of-looks.’ In an elaborate community-wedding ceremony, Prem and Sandhya get married. Their wedding night is uncomfortable with neither treading towards establishing conjugal relations. Prem has in his own reasons and the girl is naturally shy. Next morning on a call, she announces it to a friend and the whole family finds out
On the eve of his 25th birthday, the day he’s set to receive money from his trust fund, Rocco (Xian Lim) parties, gets drunk and loses all his money on a poker match. His dilemma: He has to produce the amount, otherwise he will lose the client he needs to defeat his father’s TV commercial production company. Meanwhile, Rocky (Kim Chiu) also needs money to pay the rent, otherwise her family will be homeless. There’s only one way for Rocco to be able to get money from his trust fund: Fulfill the conditions set by his grandmother and that is to get married. Rocky agrees to act as Rocco’s pseudo wife in exchange for a “talent fee.” They seal the deal. As they live like a married couple, Rocco and Rocky face one problem after another, forcing them with no alternative but to reconcile their differences and work with each other. Complication arises when they start to feel for each other, with their bond getting closer.
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The four-inch-tall Clock family secretly share a house with the normal-sized Lender family, “borrowing” such items as thread, safety pins, batteries and scraps of food. However, their peaceful co-existence is disturbed when evil lawyer Ocious P. Potter steals the will granting title to the house, which he plans to demolish in order to build apartments. The Lenders are forced to move, and the Clocks face the risk of being exposed to the normal-sized world.
Tomás, an 11-year-old boy living in his own fantasy world, must use his vast monster knowledge to fight against his new English teacher: a wicked woman who is, in fact, a child-eating monster.
The latest exploitation / Grindhouse feature film from Ungovernable Films, featuring all your favorite ungovernable motifs like sex, gore, violence, nudity, schlock, and laughs! Oh, and of course a social message! This time it’s “fuck the police!”
This deceptively simple tale of a bored English couple (George Sanders and Ingrid Bergman) travelling to Italy to find a buyer for a house inherited from an uncle is transformed by Roberto Rossellini into a passionate story of cruelty and cynicism as their marriage disintegrates around them.
GONE WITH THE POPE stars Duke Mitchell as Paul, a gangster with an unholy scheme: to kidnap the pope and charge “a dollar from every Catholic in the world” as the ransom. Shot in 1975 as KISS THE RING, GONE WITH THE POPE was unfinished at the time of Duke Mitchell’s death in 1981. Sage Stallone and Bob Murawski of Grindhouse Releasing rediscovered GONE WITH THE POPE in 1995 and vowed to save it from obscurity. Academy Award-winning film editor Murawski (THE HURT LOCKER, SPIDER-MAN 1,2 & 3) spent 15 years completing GONE WITH THE POPE from the surviving film elements.
Former CIA spy Bob Ho takes on his toughest assignment to date: looking after his girlfriend’s three kids, who haven’t exactly warmed to their mom’s beau. And when one of the youngsters accidentally downloads a top-secret formula, Bob’s longtime nemesis, a Russian terrorist, pays a visit to the family.
