Nanni Moretti recalls in his diary three slice of life stories characterized by a sharply ironic look: in the first one he wanders through a deserted Rome, in the second he visits a reclusive friend on an island, and in the last he has to grapple with an unknown illness.
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When Brian Epstein set foot in the Cavern Club in November 1961 to watch The Beatles perform, he saw something no one else could – a glimmer of gold. Sharply dressed and well-spoken, Brian was hardly the most obvious radical – but being Jewish, closeted and having grown up as an outsider who had failed at pretty much everything, he was a 26-year old with something to prove and who wanted to tear up the rulebook.
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Director Yoshiyuki Kishi and screenwriter Takehito Minato—the team behind acclaimed boxing epic Wilderness—reunite to adapt Ryo Asai’s prize-winning novel. A sensitive drama about the aberrant in a society without regard for diversity, the story unites characters trying to hide abnormalities: a prosecutor who is worried that his pubescent son is a shut-in, an introverted saleswoman with a peculiar habit, and a student tortured by feelings she can’t express. In a world fill with abnormalities, what if it’s actually normal to be abnormal?
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