Part crime caper gone awry, part survival horror film, this 1970s set thriller depicts a harrowing fight for survival after a pair of wannabe crooks botch a bank heist and flee into the desert, where they inexplicably stumble upon Carnage Park, a remote stretch of wilderness occupied by a psychotic ex-military sniper.
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A single mom and her child are carjacked by a bank robber who has no intention of letting them go.
After his wife is murdered, a man becomes a ninja to take revenge on her killers across the streets of New York, in this film that was originally abandoned in 1984 until it was discovered and completed by Vinegar Syndrome.
Fed up with her parents’ bickering, poor-little-rich-girl Maya (Dylan Penn) moves in with her boyfriend who is squatting in an old, condemned building on Manhattan’s Lower East Side. With neighbors that are meth heads, junkies and degenerates, this depraved hell hole is even more toxic than it appears: After a virus born from their combined noxious waste and garbage infects the building’s residents, one by one, they succumb to a terrifying pathogen that turns them into bloodthirsty, rampaging killers and transforms their building into a savage slaughterhouse.
Young teenager, Sam Witwicky becomes involved in the ancient struggle between two extraterrestrial factions of transforming robots – the heroic Autobots and the evil Decepticons. Sam holds the clue to unimaginable power and the Decepticons will stop at nothing to retrieve it.
Two brothers barely scrape by as their father continues to gamble and drink away the money they do bring home. They hatch a plan for a robbery but at what price?
Daryll Deever is a janitor in an office building in New York, and a big fan of TV news reporter, Tony Sokolow. When a rich man is murdered in Daryll’s building, Tony comes to cover the story and Daryll introduces himself to her. Thinking he may know something about the crime, Tony pursues him, and in order to keep seeing her, he pretends that he does. As the two of them play this game, the killers are watching, assuming that Daryll and Tony both know more about the crime than they do.
A Tokyo businessman (Hiroshi Hada), transferred to L.A, molests a teenage girl on a train. It turns out that the girl is the daughter of a vice cop. But in one of those plot twists that can only occur in the movies, the cop is assigned to find the businessman’s own daughter who has been kidnapped and forced into a teen prostitution ring.
1930s Korea, in the period of Japanese occupation, a new girl (Sookee) is hired as a handmaiden to a Japanese heiress (Hideko) who lives a secluded life on a large countryside estate with her domineering Uncle (Kouzuki). But the maid has a secret. She is a pickpocket recruited by a swindler posing as a Japanese Count to help him seduce the Lady to elope with him, rob her of her fortune, and lock her up in a madhouse. The plan seems to proceed according to plan until Sookee and Hideko discover some unexpected emotions.
Three horror stories, with each set in the past, present and future.
The spirit of a comatose teenage girl possesses the body of a newcomer to her girls boarding school to enact bloody revenge against the elitist coeds responsible for her condition.