The story, set in 1875, follows a British officer (Heath Ledger) who resigns his post when he learns of his regiment’s plan to ship out to the Sudan for the conflict with the Mahdi. His friends and fiancée send him four white feathers which symbolize cowardice. To redeem his honor he disguises himself as an Arab and secretly saves the lives of those who branded him a coward.

A Russian gang operating in Leeds with no respect for the laws of England, traffic Eastern Europeans in containers then enslave them, the women to sex, the men to illegal fights. They cross local businessman Gabe Taylor and a war escalates, but when his daughter is taken to be sold into the sex trade, Gabe fights back.

Piet, who is studying computer science, is as inexperienced sexually as he is intelligent. When he notices that his feelings for Klara, a fellow student, are not really reciprocal, he is deeply hurt. After trying out sleeping pills on himself, he drugs Klara, with unexpected consequences.

The narrative portrays a plain man who guides the viewer through his life in a bleakly stylised world.

Emigration is one of the most pronounced issues faced by the post-communist Romanian society. With a script inspired from the life of the Romanian community in Cyprus, the film tells a painful, personal story in a world in which we use only numbers to talk about emigration, prostitution and suffering, as an unfortunate statistic. Abused by her step father, then driven away from home, Eva, a Romanian teenager, becomes a victim of human trafficking. She ends up prostituting herself in Cyprus. Years later, the young woman creates her own web of relations and becomes a full-fledged “courtesan” for influential men: politicians, diplomats, business people. Her life takes a dramatic turn when she is diagnosed with AIDS.

The Mitchell brothers compete to see who can create the best Christmas House.

Adrian, an irrepressibly chirpy tech nerd, has OCD. Grace, a beautiful street artist, has multiple personality disorder. It’s a love story that seems impossible. But what if it works?

A fiercely independent cowboy arranges to have himself locked up in jail in order to then escape with an old friend who has been sentenced to the penitentiary.

Two sisters, two boyfriends, one simple birthday weekend getaway. Or it would have been, if not for the threesome, the love affair, the unexpected arrival of a fiancé, and the ensuing ridiculous dinner role play charade everyone is forced to participate in just to keep from getting caught.

A young filmmaker begins shooting his ‘perfect horror film’ during a movie marathon, oblivious that a real life killer will exploit, inspire and alter the outcome of his movie.

Casey has given up drug dealing for a suburban idyll in Houston, a job as an architect and a new wife. They are even planning to adopt a child. But Casey’s past arrives on the doorstep in the shape of Nick, an old business partner. And all hell breaks loose!

The story opens in Balochistan, in a small, scarcely ‘wired’ village bordering Iran and Afghanistan. Ahmad is an idealistic teacher in exile, educating the local community; his partner Niloofar, however, has spent time in jail in Tehran for the very same offence against the State. The disaccord between them is not only social but also personal. Ahmad’s destiny collides with that of a family fleeing the Taliban; soon the intricate divisions of age and gender within that group will trigger other problems and entanglements – including a ‘lovers on the run’ intrigue that fleetingly recalls Murnau’s classic Tabu (1931).