Former champion boxer Orlando Leone (Carmen) is “The Preacher” at an inner-city youth center. Wanting to give something back to the community, he bought a large building for a church youth center. But the cash ran out before he could finish fixing it up and now, the mortgage company is about to foreclose. With his bills mounting he agrees to one last fight.
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Laura Ullman, a single mother, kills her abusive ex-boyfriend and turns the gun on her son when he threatens to call the police. Paul leaves home to start a better life and falls for Ashley, a young woman looking for direction in her life, unaware of his past troubles.
Nora is that girl: the one who works overtime, helps out her family by all means, and leaves little for herself. She can’t even fathom a love interest. With her one free hour a day, she takes out life’s hardships at the local mixed martial arts gym, but what happens when that comfort in violence extends outside of the gym?
An innocent man’s life is ripped apart when he is set up as a suspect and charged with murder and rape.
“Tomorrow’s Promise is a film about vacantness. Which physically does ‘begin’, reversed, upside down on the screen […] suddenly another such position is taken (not in reverse), this time by a male figure and soon, in this same section, the girl of the reversed image reappears posed in a different way; a way obsessed by ‘mood’. Then a technical play of in-the-camera-editing occurs, more intense, brighter than in the first, reversed section. There are several inter-cuts which serve, in this and each subsequent section unto the end, as relative links into the final section: which is actually the ‘story’. The story the protagonist and her hero try to tell in their way is apophysis; except that ‘pictures’, clear visions take the place of words. My film could have been edited with precise tensions and a lucid straight narrative, but it was my aim to ‘re-create’ the protagonist of my personal life.” – Edward Owens
Chicken, a desperate hippie junkie living in a small Spanish village, is finding it difficult to separate fantasy and reality. This isn’t helped by the villagers practising magic and child sacrifice, or his involvement with a group of boozy expatriates lost in their own dreams and regrets.
A group of young activists set out to make an environmental statement by vandalizing a home superstore as it closes. But their plan goes terribly wrong when they become trapped inside and must face a deranged security guard with a gruesome passion for primitive hunting. As the night fills with violence and terror, the teenagers find themselves in a desperate fight for their lives.
Taylor is a successful woman whose job is her life. Her thirtieth birthday arrives, where it turns out that her previously deceased mother has placed various tasks for her in a time capsule. They are the basis for stepping out of your comfort zone and gaining new experiences.
The movie continues the story from the TV series which ended with a cliff hanger where the wife (Sonia Sui) was deciding whether to return to her cheating husband (James Wen) or have a relationship with her boss (Chris Wang). 4 years after the divorce, her cheating husband, Wen Rui Fan, comes back in hopes of re-kindling their love. Will An Zhen return back to him or move on to a new love?
Young businessman, Thomas Crown is bored and decides to plan a robbery and assigns a professional agent with the right information to the job. However, Crown is soon betrayed yet cannot blow his cover because he’s in love.
When a retiring assassin realizes he’s the target of a hit, he winds up back in the game going head to head with an army of younger, ruthless killers.
Paris, summer 1942. Irene is a young, bubbly, 19-year-old Jewish girl. Her family watches her discover the world, friends, new love and a passion for the theatre. The aspiring actress is living her youthful life without a care in the world, but she does not know that time may be running out.