Prahastha, a lonely astronaut, works in a spaceship. Every morning, his spaceship comes close to Earth and Cargos are delivered at the arrival bay. These Cargos are people who have just died on Earth and we learn that Prahastha works for Post Death Transition Services — a large, pioneering, bureaucratic company that stores, transitions, and recycles dead people for rebirth. Today, after many years, a young, popular astronaut — Yuvishka, trained in cutting edge technology, will join the spaceship as his assistant.
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After a decade in the making, including a rib-tickling behind the scenes chronicle at AFF2020 (Video Nasty: The Making of Ribspreader) Adelaide’s doyen of trash, Dick Dale, presents a gloriously unrepentant gore fest. Decades after his career as a tobacco advertising icon, Bryan Burns’ (Tommy Darwin) life is in ruins. After his mother dies of lung cancer, he is tormented by a talking cigarette on an anti-smoking billboard. He snaps and transforms into the Ribspreader, a killer stalking the city, extinguishing smokers and cutting out their lungs to make his macabre smoking jacket. Littered with excessive set pieces and moments of genuine hilarity, the precious gold is the brilliant cast of faces from Adelaide’s underground.
In 2257, a taxi driver is unintentionally given the task of saving a young girl who is part of the key that will ensure the survival of humanity.
Anja and five friends join anthroplogy student, Dace, on a journey to study a remote, ancient rock painting. Their excitement vanishes when Mel becomes delirious after skinny-dipping in the waterhole. Feverish, bleeding, confused, she physically and mentally regresses to a vicious predatory state. Mel has gone primal. Mel’s lover and friends realise they are the prey as she savagely hunts them down. Before they can escape another one of them starts to regress, posing a hideous choice; kill their friends or be killed by them. Their only hope of survival is through a cave, where Anja learns too late the meaning of the ancient rock art they came to study.
David Hyde Pierce, playing an alien (credited as infinity-cubed in the opening credits), narrates a courtship in a late-20th century American city as an extraterrestrial nature documentary. The relationship “footage” is played straight, while the voice-over (with its most often wildly inaccurate theories) and elaborate visual metaphors add comedy.
When a gloomy, God-fearing island community is rocked by the murder of a young child, a psychologist is called in to examine Dorothy Mills, the teenager accused of the crime. Despite the villagers’ resistance, the therapist soon suspects that Dorothy suffers from multiple personality disorder…
A circus’ beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.
After narrowly escaping an ancient burial ground, long forgotten and buried underneath the marshes of Cape Cod, a group of friends emerge from the thick, marshy darkness, tattered and bloody, lucky to be alive. They have already lost two of their friends in the marsh, presumably dead. They stumble upon an empty Cape Cod vacation house alongside the foggy marsh and break in to take shelter. Whatever was in the marsh is still after them and soon after one of them goes for help, the rest of the group learns that the evil in the marsh is not the only thing that wants them dead. Something worse, something more savage, was lying in wait just outside the marsh, in the house. What happens next is unspeakable, horror that cannot be unseen. These unlucky travelers spend their St. Patrick’s Day trapped between two evils forcing them to fight, die, or go back the way they came.
A refreshing tale of a bunch of high school students, their dreams, first love, music, guitar, football, video cassettes and more.
Col. Vincent Kane is a military psychiatrist who takes charge of an army mental hospital situated in a secluded castle. Among Kane’s many eccentric patients is Capt. Billy Cutshaw, a troubled astronaut in the midst of an existential crisis. Although Kane’s own grasp on sanity is questionable, he manages to engage Cutshaw in a series of thoughtful conversations about science and faith that deeply affect the lives of both men.
Christmas elves, cursed by a witch, go on a killing spree in a neighborhood in Utah
