A mother is determined that her daughter will be a movie star, and will do anything–and have her daughter do anything–to make it happen.
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After his entire department is outsourced, an American novelty products salesman heads to India to train his replacement.
Three months ago, Piper met Mollie online. And Mollie changed everything. Now a knock at the door. John Sharp. Mollie’s brother. He was sent to talk Piper out of the thing’s she’s threatening. But neither may be who they claim to be.
Eva Arctander is born with hypertrichosis, meaning that she is covered from head to toe with fine blonde hair. Her father is so ashamed of her that he hides her away from the world in their apartment. However, Eva’s nanny fights for her right to be treated like everyone else.
A quiet young boy struggling with the loss of his parents and the broken relationship with his older sister, finds comfort in the friendship of a giant that lives in the forest near his home.
It’s a long hot summer for Charlie Boyd. He’s sixteen, his hormones are raging and he’s just found out his mother is having an affair with his father’s best friend. One thing takes his mind off his problems, the mysterious woman down the street who has visitors day and night, and has just advertised for a gardener. But she is forgotten when a tragic family event tumbles Charlie into a world of pain, a pain so intense Charlie thinks no-one can help him. He’s wrong. Someone can. Maggie, the beautiful French stranger. She’s a professional, and she specialises in pain. Giving it, exploring it, sharing it, all for money. So Charlie falls in love, and despite herself so does she, drawn to this troubled boy who takes all the pain she can give and uses it to heal himself. And as Charlie heals, he turns that healing back onto her, his Mistress.
Entirely shot on green screen, Shakespeare’s Macbeth has been reinvented by director Kit Monkman (The Knife That Killed Me) in an exciting new film adaptation. Starring Mark Rowley, (The Last Kingdom, Luther). Monkman’s unique adaptation successfully bridges the gap between theatre and film to create a wholly new type of imaginative space. This radical new adaptation puts the audience’s engagement with the story centre-stage, amplifying the theatrical context of the original and creating truly innovative and thrilling cinematic vistas, whilst maintaining the language and themes of Shakespeare’s original play. Using background matte painting and computer modelling to generate the world in which the action plays out, the green screen allows Monkman to create his vision of a multi-tiered globe in which the characters play out their various fates.
The film follows a romantic liaison between a young woman from Kiev, who is a supporter of the pro-European Maidan uprising, and a man from Sevastopol who joins the pro-Russian resistance in the aftermath of Maidan’s success in Kiev.
Brick, an alcoholic ex-football player, drinks his days away and resists the affections of his wife, Maggie. His reunion with his father, Big Daddy, who is dying of cancer, jogs a host of memories and revelations for both father and son.
Two siblings discover a supernatural escape from a troubled home, but find their bond tested when reality threatens to tear their family apart.
Loving girlfriend, family fortune, breakout movie role: he’s got it all. Until an app awakens a powerful new yearning. While in Rome to shoot his first movie, actor and industrial heir Niccolò becomes obsessed with the dating app “US” that sends him into a self-destructive spiral.
