Antonio and Nikola are inseparable friends who live across the road from each other, and share a love of pyrotechnics and mobile phones. Their families have been in dispute for years over an easily resolvable problem: the water that flows from the top house to the bottom house. The boys’ friendship, as they are about to enter puberty, is put to the test at Christmas time when their families uncover much more dangerous secrets and interests, and the water just carries the hate of the adults to the children.
You May Also Like
Seeking funds for her orphanage in India, Isabelle travels to New York to meet Theresa, a wealthy benefactor. An invitation to attend a wedding ignites a series of events in which the past collides with the present while mysteries unravel.
Aiyaary is an 2018 Indian Hindi-language Action, Crime and Drama movie written and directed by Neeraj Pandey. It is based on true events of The Adarsh Society Scam, a real life story set on the backgrounds of Indian Army. Two officers (Colonel Abhay Singh and Major Jai Bakshi) with patriotic hearts suddenly have a fallout. The film revolves around their relationship of Mentor and Protege and how one of India’s ex-army officers tried to oust one of the country’s best kept secrets. The mentor, Colonel Abhay Singh has complete faith in the country’s system while protege Major Jai Bakshi thinks differently due to a recent stint in surveillance.
David Sumner, a mild-mannered academic from the United States, marries Amy, an Englishwoman. In order to escape a hectic stateside lifestyle, David and his wife relocate to the small town in rural Cornwall where Amy was raised. There, David is ostracized by the brutish men of the village, including Amy’s old flame, Charlie. Eventually the taunts escalate, and two of the locals rape Amy. This sexual assault awakes a shockingly violent side of David.
After arriving in the town of Shimonita, Ichi finds that a price has been put on his head by a local yakuza boss. He’s drawn into a trap, but after hearing of the slaying of a former love, Ichi furiously fights his way through the entire clan to face the killer, a hired ronin.
As Sakura drowns in the murky darkness of the sins she has committed, Shirou’s vow to protect her at all costs leads him into a raging battle to put an end to the Holy Grail War. Will Shirou’s wish reach Sakura even as he challenges fate itself in a desperate battle against the rising tide?
Two college schoolmates venture into the world of cybersex to support their needs. They fulfill their fans’ sexual fantasy only to realized that they too, are falling for each other.
Cliff is the leader of an enterprise he runs with his two best friends. His time in the life has taken a toll and he’s eager to run away with his girlfriend Stephanie. They have a plan, but things take a dark twisted turn.
Romain, 31, a photographer, learns that a malignancy may kill him within a few months. Decisions: treatment? work? how to tell his lover and his family. He remembers the sea and himself as a child. He stares in the mirror. He’s cruel: facing death, he pushes people away – what’s the point? He visits his grandmother to tell her; on the way, he chats briefly with a waitress. He looks at old photos, visits a childhood tree house. He takes pictures. Returning from his grandmother’s, he stops for food and sees the waitress, Jany, again. She makes a request. He returns to an empty flat – his lover has left. Can Jany’s proposition give him a way to move past self-pity?
Realistic story of working class Yorkshire life. Two schoolgirls have a sexual fling with a married man. Serious and light-hearted by turns. Rita, Sue And Bob Too was adapted by Andrea Dunbar from two of her own controversial plays. Rita (Siobhan Finneran) and Sue (Michelle Holmes) are two teenagers living on a run-down council estate in Bradford who both share a job babysitting for Bob (George Costigan) and Michelle’s (Lesley Sharp) children. Whilst giving them a lift home one night, Bob decides to take Rita and Sue up to a deserted, country-side landscape. Clearly knowing what he has in mind, Rita and Sue are only too happy to oblige and both have a sexual encounter with him that becomes a regular occurrence. Despite the blatant politically-incorrect nature of the film, this does emerge as a somewhat controversial, though enduringly amusing film that has a sharp, gritty undertone.
