A mother helps her daughter work through four crucial days of recovery from substance abuse.

A young woman, born in the early 50’s, is rendered ageless after her 21st birthday due to a genetic mutation. Her Hayflick Limit – the point at which cells begin to die – has been …

The sinister Count Oetsch scandalizes the aristocratic social gathering at Castle Vogelod as he announces his intention to “crash” the festivities. Baroness Safferstätt is expected shortly, and the guests are well-aware of the rumors that Count Oetsch murdered the baroness’ late husband. Oetsch refuses to leave, vowing that he will reveal the identity of the real killer. Before the weekend is through, the Count and Baroness will reveal secrets too shocking to be believed!

Rumania’s entry in the 1958 Cannes Film Festival was the excessively melodramatic Ciulinii Bărăganului. The title translates as Fools of Bărăgan, in reference to a band of beleaguered feudal Rumanian peasants. But these are no fools: instead, they are fearless freedom fighters, organizing a brave (though foredoomed) revolt against the tyranny of the landowners. The parallels drawn between the people of Bărăgan and Russia’s revolutionary leaders are all but impossible to miss. It would have been nice, however, if the story had not been told in such a heavy-handed, spell-it-all-out fashion.

Two childhood friends from South Boston turn to crime as a way to get by, ultimately causing a strain in their personal lives and their friendship.

A university student finds himself wrapped up in the bizarre world of his next door neighbor, learning about his history and relationship with a girl who changed his life.

Three generations of Delaney women explore the highs and lows of modern-day dating, learning that love and romance can be found at any age…and sometimes where you least expect it.

Hungary, 1950s. József Pelikán, who works as a dam keeper on the Danube, meets by chance Zoltán Dániel, an old friend whom he saved from death years before and who is now a powerful politician.

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The Shift is the story of one 12 hour night shift in the ER and the life and death decisions that have to be made. With the issue of euthanasia in the headlines this is a timely and compelling story.

A tough nun (Anna Massey) demands belief and obedience from convent schoolgirls (Katrin Cartlidge, Oona Kirsch) in World War II England.

A single mother signs up for self-defense classes from a handsome instructor. But he develops a frightening obsession with her and orchestrates an increasing deadly array of “tests” to see if she has truly learned from his lessons.