Radu, 45, rich and single, manages his business with a strong, unwavering hand and no scruples. His competition is now leading a charge against him on the stock market, which prompts Radu to remember a childhood game of beer bottle caps, a game that required risk-taking, effort and skill. A heart attack and the news that he might need a heart transplant determines him to head to a remote place, where the Danube river meets the sea, a place of simple people and age-old customs.
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An ironic black comedy of love and death that takes place an a lyrically beautiful landscape. Three related women, all named Cissie Colpitts share a solidarity for one another which brings about three copy-cat drownings. The local coroner is in love with all three women and helps to disguise the murders.
Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.
Antoine has agreed to follow a writing workshop where some young people in insertion must write a black novel with the help of Olivia, a recognized novelist. The work of writing will bring to life the working-class past of the city. Its shipyard is closed for 25 years, a nostalgia that does not interest Antoine, influenced by the anxiety of the present world
Jenny is young. Her life is over. She killed someone. And she would do it again. When an 80-year-old piano teacher discovers the girl’s secret, her brutality and her dreams, she decides to transform her pupil into the musical wunderkind she once was.
During shopping for Christmas, Frank and Molly run into each other. This fleeting short moment will start to change their lives, when they recognize each other months later in the train home and have a good time together. Although both are married and Frank has two little kids, they meet more and more often, their friendship becoming the most precious thing in their lives.
Chubby high school student and Madonna-devotee Oh Dong-ku is a trans woman living with her abusive, alcoholic father. Dong-ku works part-time to save money for the sex reassignment surgery she craves. Despite being told that she has the perfect physique for Korean wrestling, Dong-ku has no interest in taking up sports — but when she finds out about an upcoming tournament with a large cash prize going to the winner, she changes her mind and signs up for the team.
Guitarist Ko-chan is a mess of sexual repression after a childhood at the mercy of two elder sisters eager to use him as a guinea pig for their make-up skills. Bassist Gaku-chan keeps a bucket in the wings for whenever his nerves get the better of him, and drummer Momo-chan is doomed to forever carrying the botched childhood attempts at self-tattooing. It’s not until this foursome is forced to look for an additional guitar player after Jin’s dad burns his Stratocaster, that attitude and musical ability enter into the equation. Leather-clad, shade-wearing Tani (Tamaki), inseparable from his black Les Paul, is introduced as the king of R’n’R cool and Jinnai keeps him firmly seated on his throne throughout the film, retroactively proclaiming the guitarist, rather than himself, as the band’s true hero.
A young woman is walking through the city. She meets a friend at a coffee shop. This friend tells her every detail about how she bought a bike the day before. The young women listens.
