Can’t Stand It! is a 2022 stand-up comedy special written and performed by comedians Rasheed Stephens, Tevin Scott, Ceasar Lizardo and Chris Gardner and directed by Scooter Powell. Produced by both Sito Productions and Rasheed Stephens
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Teenage friends must resist the spell of an evil showman staging a house of horrors show in their small town.
Following the release of Zombie Women of Satan, the movie about the events of the first film, Pervo’s career hasn’t quite gone to plan. Shunned and unwanted, he’s a fading star. But not to be defeated, he returns to this sequel with a new manager, a trusty bodyguard and the beautiful actress Dahlia Von Rose as they tour the country promoting their new movie. With things looking bleak though, it seems Pervo’s fifteen minutes of fame are just about over. However, a chance encounter with a mystery millionaire could turn all their fortunes around. But is it a chance encounter? Or a diabolical revenge plot? Lured to a party at an enormous mansion, all is going well until those zombie women escape and end up running wild.
Ha-neul, who is unemployed, moves to his best friend Bong-sik’s house after breaking up with his lover. Together, they face the woes of love and relationships.
On Christmas Eve, Greg, a solitary and taciturn police officer, doesn’t hesitate to leave his daughter behind to go on a mission. To teach him a lesson, Santa Claus decides to grant his daughter’s wish: that her father looks like Richard Silestone, the good-natured and heavily indebted family man from the beloved Christmas movie she adores. While Greg is sent into this improbable world, Richard accidentally lands in the real world and both men realize they have no choice but to complete each other’s missions to reclaim their respective lives.
One-off period comedy, peeping into the lives of a south Wales family’s Christmases across the 1980s, written by comedian Mark Watson and inspired by a Dylan Thomas short story. Christmas in this household may be a less than poetic affair, but it is just as eventful. So much changes across a decade in any family, and yet so much manages to remain the same.
A decade and a half after their seminal indie film launched meteoric filmmaking careers, Splick and Jason find themselves staring at their own individual, pre-midlife crises. Having not spoken to one another since a late-nineties falling out, they’re each grappling with the challenges of stalled careers and relationships, as the hands of time creep ominously past forty-o’clock. Splick’s most recent TV show, centered around his character’s perverse relationship with dessert foods, is unceremoniously cancelled by the network, forcing a return to his childhood bedroom at his mother’s apartment in New York. Frustrated by a barrage of comments about the “good,” “funny,” movies he used to make with his old partner, Jason, Splick determines to seek him out and attempt a reunion.
A golfer develops a bond with a sprightly girl and a down-on-her-luck waitress.
When Gus Bazooka built his gym he never imagined that his sons, Angus and Judah, would someday battle for control. However, after Gus’ untimely death (caused by watching a topless racquetball game) the future of the business becomes uncertain and the brothers make a wager to see who will take sole ownership of the gym.
A novelist’s longstanding marriage is suddenly upended when she overhears her husband giving his honest reaction to her latest book.
When tyrannical dictator Joseph Stalin dies in 1953, his parasitic cronies square off in a frantic power struggle to become the next Soviet leader. Among the contenders are the dweebish Georgy Malenkov, the wily Nikita Khrushchev and Lavrenti Beria – the sadistic secret police chief. As they bumble, brawl and back-stab their way to the top, the question remains – just who is running the government?
