The movie The Wizard of Oz (1939) with the soundtrack replaced by Pink Floyd’s album The Dark Side of the Moon (1973); several uncanny moments of synchronisation and a generally darker tone than the original film.

Breaking up with Mark Darcy leaves Bridget Jones over 40 and single again. Feeling that she has everything under control, Jones decides to focus on her career as a top news producer. Suddenly, her love life comes back from the dead when she meets a dashing and handsome American named Jack. Things couldn’t be better, until Bridget discovers that she is pregnant. Now, the befuddled mom-to-be must figure out if the proud papa is Mark or Jack.

The film is composed of multiple comedy shorts presented through an overarching segment titled “The Pitch”, in which Charlie Wessler, a mad screenwriter, is attempting to pitch a script to film executive Griffin Schraeder. After revealing several of the stories in his script, Wessler becomes agitated when Schraeder dismisses his outrageous ideas, and he pulls a gun on him and forces him to listen to multiple other stories before making Schraeder consult his manager, Bob Mone, to purchase the film.

Trying to survive the family Christmas, Cody makes a wish to be alone, which ends up backfiring when a shark manifests and kills his entire family.

The last drop for Jan’s resolution is the voluntary death of his father-in-law, whose strength and patience ran dry. Grandma made decisions about Grandpa’s life, old age as well as the funeral. Jan is sure that he and his wife Olga are on the same route. He recalls his past life when he used to have his own will and dreams and he wants to live again with dignity and freedom. He longs to control his own life again. And his solution is escape from the present life. In this movie we watch, in parallel ,the fates of Jan’s married daughters Olinka and Alenka and his sons-in-law Erik and Pepík.

An unfortunate chain of events forces Milton Young to give up his dream of playing professional baseball and return home to the town he fought hard to escape. Once home, Milton faces insurmountable economic and personal hardships, only to be faced with an even greater challenge: defending himself against a Tragic crime that could send him to prison for life. What emerges is a heart-warming story about perseverance, faith, triumph, and the struggle to never let go of a dream.

The prodigal son of a Yukon prospector comes home on a night that “ain’t fit for man nor beast.”

The third in a series of films featuring François Truffaut’s alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine’s father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers’ seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.

Felix Ungar has just broken up with his wife. Despondent, he goes to kill himself but is saved by his friend Oscar Madison. With nowhere else to go, Felix is urged by Oscar to move in with him, at least for a while. The only problem is that Felix is neat, tidy, and neurotic, whereas Oscar is slovenly and casual.

Alienated, hopeful-filmmaker Pat Johnson’s epic story growing up in rural Illinois, falling in love, and becoming the first fan of the movie that changed everything.

Catherine Guérande (Valeria Ciangottini), a 19-year-old attractive Parisian girl, decides to become a prostitute after a messy love affair. She did not count on Pornotropos (Jean Yanne), a brutal racketeer who runs the profitable business of model agencies, cabarets, and camping sites, backed by Thanatos (Jean-Marie Fertey), his brother, who runs the mugging and murder side of their business. Pornotropos is not taking it well that a freelancer is around reducing his profits, and he sets his girls to harass and beat her up. Catherine does not take his mistreatment and moves to another brothel. But luck has it that an old man (Roger Karl) dies in her room, and that he was the owner of a marketing agency. Paul (Jacques Destoop), a young and handsome executive in his company, decides to investigate the shady causes of death of his late boss, and when Paul meets Catherine it’s love at first sight.

Azra is worlds apart from her conservative Muslim mother. When her father suddenly dies on a trip home to Pakistan, Azra finds herself on a Bollywood-inspired journey through memories, both real and imagined; from her mother’s youth in Karachi to her own coming- of-age in rural Canada.