In Rio de Janeiro, close to the mythical Maracana stadium, venue for the grand final of the World Cup 2014, we find an ordinary football field in the Sampaio neighborhood. There, football happens as a genuine expression of Brazilian culture. With the games on Sundays, the annual slum football league has 14 teams. Each represents the colors and rituals of their community. Geração x Juventude contest the final.
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Celebrating the joys of an Irish Wedding in all its pleasant predictability – the requisite chats about the weather, the haggle over the beef or salmon, the losing of the rings, the ditching of the heels, the intergenerational whirl around the dancefloor. Alex Fegan (Older than Ireland, The Irish Pub) captures all that is familiar but also conveys the momentousness of the day from the pre-wedding nerves, to the tenderness of the first kiss, from the affectionate humour of the speeches to the melancholy moments as absent friends are remembered. The Irish Wedding presents a pleasingly diverse community of brides and grooms in this warm-hearted and thoroughly entertaining survey of Irish nuptial activity.
In the summer of 2015, former US Marine and world record weightlifter Matt “Kroc” Kroczaleski was publicly outed as being transgender. The reaction was universal: her sponsors abandoned her, she was disowned by her parents, banned from competing, and she changed her name to “Janae”. This film follows Janae as she attempts to find her place in society. Initially wanting to strip off the muscle and become a much smaller looking woman, she found herself unable to lose the muscle she so desperately gained. She now finds herself living one day as an alpha male and the next day as a delicate girl. Will Janae be able to handle her muscle relapses? Will her passage from being a male bring her the peace she’s looking for? Will society accept a 250lbs muscular woman? Is her path personal redemption or physical and psychological disaster?
As Cirque du Soleil reboots its flagship production, O, more than a year after an abrupt shutdown, performers and crew members face uncertainty as they work to return to their world-class standards in time for the (re)opening night in Las Vegas. With unfettered access, filmmaker Dawn Porter captures the dramatic journey of the world’s most famous circus act on its way back from the brink.
‘Who the Fuck is That Guy’? The Fabulous Journey of Michael Alago tells the astonishing story of a gay Puerto Rican kid growing up in a Hasidic Brooklyn neighborhood, who got on the subway one day and began a musical odyssey that helped shape the musical landscape across N.Y.C. and around the world. Directed by Drew Stone and produced by Michael Alex the film tells the incredible story of a cherished New York City icon. From rubbing elbows with N. Y. scene makers as an teenager at Max’s Kansas City and CBGB, to being the architect of a rock ‘n’ roll renaissance as the 19 year-old talent booker at the legendary Ritz, to making history as a 24 year-old A&R exec, signing the biggest metal band in a generation in Metallica, Michael Alago was on fire.
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Going deeper than fine fabrics and silk linings, Suited takes a modern, evolved look at gender through the conduit of clothing and elucidates the private and emotional experience surrounding it. With heart and optimism, the film documents a cultural shift that is creating a new demand—and response—for each person’s right to go out into the world with confidence.
In a cluttered news landscape dominated by men, emerges India’s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions on the frontlines of India’s biggest issues and within the confines of their own homes, redefining what it means to be powerful.
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Iraqi-American filmmaker Usama Alshaibi shares his own story of experiencing racism in post-9/11 America. Showcasing the diversity of Arabs living in the United States, “American Arab” sparks a frank conversation about identity and perception, and argues for giving people “the space to be complicated.”
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Victor Fleming’s 1939 film The Wizard of Oz is one of David Lynch’s most enduring obsessions. This documentary goes over the rainbow to explore this Technicolor through-line in Lynch’s work.