As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.
You May Also Like
In giving the judgment hour message to the world and calling the people to forsake their false systems of worship and enter the Ark, the multitudes were in the valley of decision. In the third film of THE DAYS OF NOAH series, “The Valley of Decision” explores the parallels between the message of Noah and last messages of mercy and warning to ever be given to man. The prophecies concerning the Antichrist and the mark of the beast will bring the entire world to a crisis point, forcing all to choose whether or not they will enter the refuge of the Ark, just as it was in the days of Noah.
The dysfunctional Chinese justice system allows citizens with grievances against their local governments to petition the court to clear or correct their record. Yet in order to do so, the petitioners must travel to Beijing to file paperwork and wait an indefinite period to plead their case. Following the saga of a group of petitioners over the years of 1996 and 2008, Petition unfolds like a novel by Zola or Dickens. This was filmed surreptitiously from the point of view of the petitioners, and not the justice officials, the police, or those heavies sent by the municipalities.
The true story of We Copwatch, an organization whose mission is to film police activity as a non-violent form of protest and deterrent to police brutality. Around the country, a network of regular people take up cameras to bear witness to police actions and hold law enforcement to accountability.
Defying the state legislature that outlawed abortion, the Catholic Church that condemned it, and the Chicago Mob that was profiting from it, the members of “Jane” risked their personal and professional lives to support women with unwanted pregnancies. In the pre-Roe v. Wade era — a time when abortion was a crime in most states and even circulating information about abortion was a felony in Illinois — the Janes provided low-cost and free abortions to an estimated 11,000 women.
Professor Iain Stewart reveals the story behind the Scottish physicist who was Einstein’s hero; James Clerk Maxwell. Maxwell’s discoveries not only inspired Einstein, but they helped shape our modern world – allowing the development of radio, TV, mobile phones and much more. Despite this, he is largely unknown in his native land of Scotland. Scientist Iain Stewart sets out to change that, and to celebrate the life, work and legacy of the man dubbed “Scotland’s Forgotten Einstein”.
In 2015, the WHO listed one of the additives in processed meats as carcinogenic. That same additive was nearly banned in America in the 1970s – until lobbying from the meat industry discredited the scientists. At the heart of this strategy are the scientists who collaborate with the meat industry and who receive generous compensation for studies that promote meat consumption.
Help Is On The Way brings to the screen a busy training centre in Indonesia, that prepares women to work overseas as domestic workers. It is at times an emotional journey, but also funny, enlightening and a little competitive, offering a unique insight into a lifestyle not often seen on screen.
At the heart of the Apollo program was the special team in Mission Control who put a man on the moon and helped create the future.
It contains a copy of Cem Yılmaz’s show CMYLMZ, staged between 2001-2007, recorded in Istanbul in March 2007.
Fun, disarming and musically provocative, the Topp Twins are New Zealand’s finest lesbian country and western singers and the country’s greatest export since rack of lamb and the Lord of the Rings movie trilogy.
When first responders arrive to a call of a break-in, they find 16-year-old Cynara without vital signs, and her mother, Cindy Ali, lying on the floor, unable to move. Hours later, Cynara is dead, and Cindy is the prime suspect.
Nicu, a homeless street kid, is adopted by the notorious ‘Bruce Lee’ and brought up in the subterranean tunnels of Bucharest. As he grows up, he begins to realise that this ‘King of the Underworld’ may not be the father that he needs. Filmed over five years by photographer Joost Vandebrug, the film is a real life Oliver Twist story about growing up, and finding a family.
