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A look at the history of the American comedy publication and production company, National Lampoon, from its beginning in the 1970s to 2010, featuring rare and never before seen footage, this is the mind boggling story of The National Lampoon from its subversive and electrifying beginnings, to rebirth as an unlikely Hollywood heavyweight, and beyond. A humour empire like no other, the impact of the magazines irreverent, often shocking, sensibility was nothing short of seismic: this is an institution whose (drunk stoned brilliant) alumni left their fingerprints all over popular culture. Both insanely great and breathtakingly innovative, The National Lampoon created the foundation of modern comic sensibility by setting the bar in comedy impossibly high.
When construction on Main Street threatens to put the town’s shops out of business, mayor Alex Foster decides to throw a Christmas market to boost sales. To do it though, she’ll have to convince the reclusive Darcy Hawkins to host it at his family’s old mill, bringing up old family feuds and sparking romance in the process.
Exploring provocative viewpoints from engineers, factory workers, journalists, philosophers and Asimov himself, The Truth About Killer Robots is a cautionary tale about a world automating beyond control.
Michael Winterbottom, celebrated director of 24 Hour Party People, The Road to Guantanamo, and The Trip, joins forces with actor, comedian, and provocateur Russell Brand for that most unlikely of documentary approaches: an uproarious critique of the world financial crisis. Building on Brand’s emergence as an activist following his 2014 book Revolution, where he railed against “corporate tyranny, ecological irresponsibility, and economic inequality,” The Emperor’s New Clothes pairs archival footage with comedic send-ups conducted in the financial centers of London and New York. Brand spotlights not only how the crisis affected the working class around the world, but also how the uber-wealthy benefited from the downturn. With Winterbottom providing his signature ingenuity and pinpoint directorial control, they generate a riveting, boisterous, and, at times, cathartic riff on the extreme disparities between the haves and have nots in contemporary society.
It’s graduation weekend, and Sandy Channing, the popular class president of her small-town high school, should be enjoying the time of her life. But when her friends start disappearing, Sandy discovers they have unwittingly awakened the vengeful spirit of a girl they wronged long ago. Fighting for her sanity, Sandy must unlock a dark secret from her own past before it’s too late.
In 1976, Karen and Barry Mason had fallen on hard times and were looking for a way to support their young family when they answered an ad in the Los Angeles Times. Larry Flynt was seeking distributors for Hustler Magazine. What was expected to be a brief sideline led to their becoming fully immersed in the LGBT community as they took over a local store, Circus of Books. A decade later, they had become the biggest distributors of gay porn in the US. The film focuses on the double life they led, trying to maintain the balance of being parents at a time when LGBT culture was not yet accepted. Their many challenges included facing jail time for a federal obscenity prosecution and enabling their store to be a place of refuge at the height of the AIDS crisis. Circus of Books offers a rare glimpse into an untold chapter of queer history, and it is told through the lense of the owners’ own daughter, Rachel Mason, an artist, filmmaker and musician.
A new couple and their families reckon with modern love amid culture clashes, societal expectations and generational differences.
A twenty-something gal realizes that she picked the wrong guy in high school, and travels back to her small town to make things right. To her surprise, Bobby is engaged to a lovely gal, Blake. Determined to rekindle the old flame and hide the fact that her life is in shambles, Maddie announces that she’s getting married too! Immediately all her friends, including Bobby and Blake, help her prepare for a wedding that will never be…
A look at one of Chicago’s more troubled South Side neighborhoods from the point of view of two young boxers and their families.
Saul Schwartz, a married successful businessman, is bored with his life and decides he has had enough. So he gets a divorce, quits his job, and goes off to pursue his dream, in Hollywood to be a movie star. Only becoming a movie star isn’t as easy as he thought. Nobody wants an overweight, 50 year old, New Yorker who looks like a lawyer. He’s going to have to make a few adjustments.