Giancarlo Parretti was central to one of Hollywood’s greatest scandals. In 1990, Parretti bought iconic James Bond studio Metro-Goldwyn-Mayer/United Artists for $1.3B with high hopes. However, within weeks, the 17th James Bond film (GoldenEye) was put on ice, paycheques to Dustin Hoffman and Sylvester Stallone had bounced, and hundreds of staff were fired. Parretti soon faced an FBI investigation for alleged financial irregularities and his ownership of Hollywood’s most famous studio spiraled out of control.

On January 8, 2020, Ukraine International Airlines Flight 752 went down as it was leaving Iranian air space. All 176 people on board were killed, many of them Iranian Canadians. For weeks Iranian authorities vociferously denied responsibility, but foreign governments and agencies were certain the plane was shot down by Iranian military, a fact Iran’s government eventually admitted. There were no answers as to why the plane was fired on or even why it was allowed to take off, since hostilities had broken out in the region in preceding days.

From executive producer Zach Braff and director Jeremy Snead, “Video Games: The Movie” is an epic feature length documentary chronicling the meteoric rise of video games from nerd niche to multi-billion dollar industry. Narrated by Sean Astin and featuring in-depth interviews with the godfathers who started it all, the icons of game design, and the geek gurus who are leading us into the future, “Video Games: The Movie” is a celebration of gaming from Atari to Xbox and an eye-opening look at what lies ahead.

Driven by a constant need to create, Phish frontman Trey Anastasio takes on new projects, including some of his most personal music to date as well as Phish’s ambitious New Year’s Eve show at Madison Square Garden.

Alexandra Pelosi turns her camera on some of the people who stormed the U.S. Capitol on January 6, 2021. Through a series of candid interviews, Pelosi talks to several individuals charged with crimes for their participation.

Is there such a thing as a “gay voice”? Why do some people sound gay but not others? Why is sounding gay beloved in pop culture, from Liberace to Modern Family, but also a trigger for bullying and harassment? The feature documentary Do I Sound Gay?

Martin Scorsese’s documentary intertwines footage from “The Band’s” incredible farewell tour with probing backstage interviews and featured performances by Eric Clapton, Bob Dylan, Joni Mitchell, Van Morrison, and other rock legends.

This true-crime documentary film features Rosa Peral’s first interview from prison since she was convicted of murdering her partner aided by an ex-lover.

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It is the largest movement the world has ever seen, it may also be the most important – in terms of what’s at stake. Yet it’s not east being green. Environmentalists have been reviled as much as revered, for being killjoys and Cassandras. Every battle begins as a lost cause and even the victories have to be fought for again and again. Still, environmentalism is one of the great social innovations of the twentieth century, and one of the keys to the twenty-first. It has arisen at a key juncture in history, when humans have come to rival nature as a power determining the fate of the earth.

After a lifetime of hiding, Chely Wright becomes the first commercial country music singer to come out as gay, shattering cultural stereotypes within Nashville, per conservative heartland family and, most importantly, within herself. With unprecedented access over a two-year period, including her private video diaries, the film layers Chely’s rise to fame while hiding in the late 90’s with the execution of her coming out plan, culminating in the exciting moment when she steps into the media glare to reveal she is gay. The film shows both the devastation of internalized homophobia and the transformational power of living an authentic life. The film also documents the conflicting responses from Nashville, the heartland and the LGBT community as Chely Wright prepares for an unknown future.

This was of course a fitting look into the world of Julia Donaldson, whose books have kept the BBC in Christmas animations for the last few years, and will probably do so for years to come.