Follows Juan, an agent working for the intelligence services, who also reports to a parallel unit involved in illegal activities.
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A group of female freedom-fighters led by Karine Levere is caught by the warden of a women’s prison, located somwhere in the South American jungle. None of them will reveal the secrets of their organisation or the names of their collaborators in the cities, so they are handed over to Dr. Costa who, after four years inactivity in Europe, is delighted to be able to practice his torture techniques once more. Laverne fails to resist the inhuman treatments and reveals all. The only hope of saving the organization is for the girls to warn the city cell before it’s too late. They trick the prison guard into having sex with them, knock him out and break out of prison. The warden and Dr. Costa must prevent them from revealing the practices inside the prison. The hunt is on and it’s shoot to kill…
Set in Tangier, Traitors tells the story of Maika, a calm, conservative girl by day and a leader of an all-girl punk group by night.
A sinister seductress vows to destroy a suburban family.
When depressed and withdrawn Catharine meets a secretive boy online, she begins to come out of her shell. But is he a suitor or a stalker, a friend or foe? The mystery of his existence fuels obsession, denial and deceit, sending her to the point of no return. In the midst of cliques, boyfriends, and digital drama, Catharine is trying to make sense of a world of uncertain identities. The film was inspired by the writer-director’s own experience parenting his teenage daughter in the world of cyberspace. @urFRENZ was made to serve as a talking point for the subject matter of bullying and cyberbullying, the number one hot button issue between parents and teens today.
Set in a small island village of Yedurulanka, faces the looming uncertainties of 2012, Shiva, a pragmatic youngster along with his girlfriend Chithra and friends, devise a scheme to disprove the end of the world theory and expose the plan by the trio of fake god-men, to fleece the people.
Paramilitary operative David Wolfe stumbles upon an international conspiracy connecting presidential cabinet members to a Middle Eastern terrorist plot. Wanting to expose the truth, Wolfe defies orders and returns to the US as an army of one fighting for American security and integrity
Portrayal of the late Bradford playwright Andrea Dunbar. Andrea Dunbar wrote honestly and unflinchingly about her upbringing on the notorious Buttershaw Estate in Bradford and was described as ‘a genius straight from the slums.’ When she died tragically at the age of 29 in 1990, Lorraine was just ten years old. The Arbor revisits the Buttershaw Estate where Dunbar grew up, thirty years on from her original play, telling the powerful true story of the playwright and her daughter Lorraine. Also aged 29, Lorraine had become ostracised from her mother’s family and was in prison undergoing rehab. Re-introduced to her mother’s plays and letters, the film follows Lorraine’s personal journey as she reflects on her own life and begins to understand the struggles her mother faced.
A documentary filmmaker travels to a UFO convention in New Mexico where he meets a local artist with a dark secret. As they follow a trail of clues they discover disturbing sightings and question all they believe when they become immersed in the enigmatic culture of the Pueblo Indians.
Abandoned by his mother shortly after immigrating to America, Gon is raised by the mafia and grows up to become a cold-blooded hitman. Though usually flawless in taking out his targets, Gon makes a terrible mistake of killing an innocent young girl. Swamped by feelings of regret, guilt and shame, Gon no longer wants to be a hitman, but his boss gives him one last mission. So Gon finds himself in Korea, the land of the mother that abandoned him, on the trail of his last target. But in bitter irony, that target is Mo-gyeong, the mother of the dead child.
