A period drama set in the early years of the 20th century. Josef, a former construction worker who delighted in dancing on girders high above the city, who now sweeps up at the circus. Once the big top’s owner spots the young roustabout defying gravity on the trapeze, however, he endeavors to pair Josef with his aerialist daughter Alice in a perilous sky-high pas de deux. Offers a romantic view of big top life, with a moth-eaten angel in his feathered, tattered costume.
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Four runaway teenagers are catapulted on a wild and uplifting road trip out of the city and across the water to a magical island music festival.
Henelotter up’s the ante in the final part of his trilogy by introducing a new member to the family; the potentially monstrous fruit of hideously deformed Belial’s loins. With the pair still enjoying relative anonymity and comfort in their new found home (presided over by Granny Roth), things however take a downward turn on a trip to the Georgia Clinic of Uncle Hal, which leads to an encounter with an especially nasty redneck sheriff and his similarly blinkered band of merry men.
Twin brothers running a haunted house and an aspiring actress are all affected by the disappearance of a young girl.
This debut feature from Newfoundland’s G. Patrick Condon (Infanticide, Audition) is an inspired, meta take on the classic “cabin in the woods” horror trope. After squandering the money lent to him by a mysterious cinematic organization, a creatively frustrated writer / director, G. Patrick Condon, played by Stephen Oates (Frontier, Riverhead), has to take matters into his own hands by locking aspiring actress Grace (MJ Kehler) and the rest of the cast of actors in a rented house filled to the brim with security cameras and a script-spitting dot matrix printer. As time moves on, Condon slowly becomes the villain in his own movie by playing off the actor’s need to give the best performances they possibly can, while also satisfying his increasingly sinister demands; even if it kills them. Part Milgram Experiment, part A Cabin in the Woods, G. Patrick Condon’s Incredible Violence will have audiences talking for years to come.
A chronicle of the Cristeros War (1926-1929), which was touched off by a rebellion against the Mexican government’s attempt to secularize the country.
Grace nearly drowns before she is saved by a handsome lifeguard named Gordon. She falls for Gordon and decides to take lifeguarding lessons. However, Gordon falls in love with Pamila. Grace is aided by Eddie and Dawn, but they are unable to separate Gordon and Pamila. In fact, Eddie has romantic feelings for Grace but has had a one night stand with Dawn… The relationships quickly get complicated, how can it all get sorted out?
When Peter Plunkett’s Irish castle turned hotel is about to be repossesed, he decides to spice up the attraction a bit for the ‘Yanks’ by having his staff pretend to haunt the castle. The trouble begins when a busload of American tourists arrive – along with some real ghosts.
NYPD detectives Christopher Danson (Johnson) and P.K. Highsmith (Jackson) are the baddest and most beloved cops in New York City. They don’t get tattoos, other men get tattoos of them. Two desks over and one back, sit detectives Allen Gamble (Ferrell) and Terry Hoitz (Wahlberg). You’ve seen them in the background of photos of Danson and Highsmith, out of focus and eyes closed. They’re not heroes, they’re “the other guys.” But every cop has his or her day and soon Gamble and Hoitz stumble into a seemingly innocuous case no other detective wants to touch that could turn into NYC’s biggest crime. It’s the opportunity of their lives, but do these guys have the right stuff?
Rock Hudson is Roger Willoughby, a renowned fishing expert, who, unbeknownst to his friends, co-workers, or boss, has never cast a line in his life. One day, he crosses paths with Abigail Paige (Paula Prentiss), a sweetly annoying girl who has just badgered his boss into signing Roger up for an annual fishing tournament.
This holiday, the Liddles have much to be merry about! Jacquie Liddle and her husband, Tyler, are preparing for the arrival of their first baby. With their family expanding in ways they could never have expected, the Liddles are headed for a crazy Christmas filled with merry mayhem and lots of love and laughter.
Me, Myself & I is a 1992 dark romantic comedy starring JoBeth Williams and George Segal. The movie is the directorial debut of editor and producer Pablo Ferro. Bill Macy, Shelley Hack and Ruth Gilbert also appear in this independent film.
