Sarah and Isolde share an interest in the traditional music and dance of the Balkans, but it turns out that shared interests don’t always unite them. Their trip, initially a fun bonding experience, takes a southward turn when Sarah becomes interested in handsome fellow camper Steph. A seemingly innocent romantic overture touches off an abrupt shift in the dynamic between the two girlfriends, steering a previously ecstatic camp outing down a psychological rabbit hole.
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Maltazard, the Evil M, is now 7 feet tall and evolving among the humans, causing terror wherever he goes. His goal is simple: forming an army of giant henchmen and ruling over the universe. Meanwhile, Arthur is still a Minimoy, and thus in a state where he’s unable to fend him off. With the help of Selenia and Betameche, he hatches a plan to regain his usual size: all they must do is infiltrate Arthur’s house through the pipeworks, catch an electric train from his bedroom to his grandfather’s study and find an elixir that will make him grow back to his human size. Sounds simple enough, if it weren’t for Darkos, Maltazard’s own son, hot on their tails.
UKIP: The First 100 Days is a 2015 mockumentary which was broadcast on Channel 4 in the United Kingdom on 16 February 2015, and in the run-up to the May 2015 general election. It tells the fictional story of how the country would be run if the UK Independence Party (UKIP), a Eurosceptic party, were to win the election and its leader Nigel Farage become Prime Minister. The programme is filmed in the style of a fly-on-the-wall documentary that follows UKIP’s first female Asian MP as she struggles with the party’s stance on immigration amid mounting public discontent with its hardline policies. The role of Deepa Kaur, who is elected to serve as MP for the Romford constituency, is played by Priyanga Burford.
Through 56 independent scenes, Echo draws a portrait, both biting and tender, of modern day Iceland during the often turbulent but also exciting time of the Christmas holidays.
Fifteen year old Megan Shephard and her parents will do anything to save their struggling farm. When they discover a wild stallion in a nearby forest they begin to wonder if this could be the answer to their prayers.
When a cop who is just out of rehab takes the graveyard shift in a city hospital morgue, she faces a series of bizarre, violent events caused by an evil entity in one of the corpses.
A girl on a cruise with her family, falls in love with the ship’s lieutenant and has to make a dramatic decision when they reach Istanbul, in the end. A boy, secretly in love with his best friend, finally manages to express his feelings, through a fake Facebook profile… Until she finds out the truth! And two strangers spent a night together in Thessaloniki, falling in love, but when they part ways, the girl’s mobile phone is stolen, along with the boy’s number…
Remember that scientist that was trying to perfect a matter transportation machine but got fused with a fly when one of the little critters got into the transporter with him? Well, this story is about three of his descendents (a son, Henri Delambre, played by Brian Donlevy and two grandsons). Seems the son wants to continue and perfect the machine while his two sons want to get out of the scientist business and live “normal” lives. The oldest son, Martin, decides to take a wife (who just happens to have escaped from a mental hospital after her parents died). Martin’s father is not happy with this intrusion but finally gives in because he understands him son’s needs. They all try to be a happy family until humans used in botched experiments are discovered by the new bride and the police nearly discover the lab while looking for Martin’s wife. Everyone tries to get out of there via the transporter but things just don’t go according to plan …
The crew of a U.S. Navy ship in World War II goes into battle against the Japanese fleet.
Anmol is made to work as a maid in her own house by her step-mother and step-sisters. Later, a singer falls for her and decides to free her from her evil family.
Carol Morley’s debut short uses the iconography of the genre of melodrama – the staircase, the father – to explore the story of a girl’s relationship with her father, and the impossibility of recreating a time, a place, and a memory. Cross-cutting between the girl protagonist and her father, the film creates a sense of crisis and conflict. As the girl invests her feelings in her surroundings and describes events connected to her father, we are drawn into a world of pain and pathos. Morley’s first directorial credit was her graduation film from Central St. Martin’s School of Art.
