Deep into Hell Week, a favored pledgee is torn between honoring his code of silence or standing up against the intensifying violence of underground hazing.
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The tale of a ten-year-old boy in a Catholic school who, following the death of his beloved grandfather, embarks on a quest to discover the meaning of life.
‘Shakedown’ was a series of parties founded by and for African American women in Los Angeles that featured go-go dancing and strip shows for the city’s lesbian underground scene. Inspired by transwoman Mahogany who, as the mother of the scene, presided over queer strip shows and balls for non-heterosexual audiences in the 1980s, butch Ronnie Ron created, produced and presented the new shows. In them, the largely female clientele from the ‘hood’ slipped dollar notes into lap dancers’ panties while celebrating lesbian sexuality to pulsating hip-hop beats.
Several members of a platoon of American soldiers not only kill a Japanese general, but also rape and murder the man’s wife. The couple’s son, Kimon, witnesses these ghastly events and vows revenge. Thirty-three years later the platoon get back together in Manila for a reunion. The adult Kimon also shows up to pick off the platoon members who are responsible for butchering his parents.
One Night in Oslo follows a group of young people in Oslo’s Eastern parts on the night before Norway’s National Day, and reflects their expectations and emotions ahead of the celebration.
Several years after the murderous events of the first movie left her father dead, Emma is now living with her aunt Angela and navigating high school. Angela’s husband begins to suspect that Emma may not be as innocent as she appears and suggests sending her off to boarding school. Meanwhile, a new girl at school seems to know Emma’s secrets, leaving Emma no choice but to slip back to her old ways and take care of her enemies by any means necessary.
The story of four disabled veterans who are estranged from their families, challenged by PTSD, suffering from depression – and who live together in an assisted living home.
When the grim reaper comes to collect the soul of megamogul Bill Parrish, he arrives with a proposition: Host him for a “vacation” among the living in trade for a few more days of existence. Parrish agrees, and using the pseudonym Joe Black, Death begins taking part in Parrish’s daily agenda and falls in love with the man’s daughter. Yet when Black’s holiday is over, so is Parrish’s life.
In a reinterpretation of Madame Bovary set on contemporary Mexico City, Emilia, a middle class housewife, tries to deal with the monotony of her life. One day, she loses the two things which makes everything beareable: her lover and her credit card.
It’s San Francisco in 1957, and an American masterpiece is put on trial. Howl, the film, recounts this dark moment using three interwoven threads: the tumultuous life events that led a young Allen Ginsberg to find his true voice as an artist, society’s reaction (the obscenity trial), and mind-expanding animation that echoes the startling originality of the poem itself. All three coalesce in a genre-bending hybrid that brilliantly captures a pivotal moment-the birth of a counterculture.
