Novelist Catherine Tramell is once again in trouble with the law, and Scotland Yard appoints psychiatrist Dr. Michael Glass to evaluate her. Though, like Detective Nick Curran before him, Glass is entranced by Tramell and lured into a seductive game.

When a wheelchair-bound woman moves back in with her disabled mother, she finds that much more goes on in the independent living apartment complex than she could possibly imagine.

In 1919, Australian farmer Joshua Connor travels to Turkey to discover the fate of his three sons, reported missing in action. Holding on to hope, Joshua must travel across the war-torn landscape to find the truth and his own peace.

Escaping from poverty to become a witcher, Vesemir slays monsters for coin and glory, but when a new menace rises, he must face the demons of his past.

Aravind Krishna doesn’t know what he wants from life and is indecisive when faced with numerous choices. While his parents help him take small decisions in life, will he be able to decide on matters related to love?

A group of friends at a Jerusalem retirement home build a machine for self-euthanasia in order to help their terminally ill friend. When rumors of the machine begin to spread, more and more people ask for their help, and the friends are faced with an emotional dilemma

Wild Is the Wind represents a (perhaps deliberate) reversal of the situation in The Rose Tattoo (1955). Whereas in Tattoo, Anna Magnani played a widow who could never find a man to measure up to her late husband, in Wind her character, Giola, marries widowed rancher Gino (Anthony Quinn), who is haunted by the memory of his first spouse. The situation is dicier in Wind, since Italian immigrant Gino’s deceased wife was Giola’s sister. Eventually tiring of her husband’s mood swings, Giola turns to his son, Bene (Anthony Franciosa), for emotional and sexual gratification. A Hollywood approximation of the Italian neorealist school of filmmaking, Wild Is the Wind was based on Furia, a story by Vittorio Nino Novarese. ~ Hal Erickson, Rovi

Three people, three extraordinary stories. All lived out within a hundred London streets.

France, 18th Century. The prestige of a noble house depends above all on the quality of its table. At the dawn of the French Revolution, gastronomy still is a prerogative of the aristocrats. When talented cooker Manceron is dismissed by the Duke of Chamfort, he loses the taste for cooking. Back in his country house, his meeting with the mysterious Louise gets him back on his feet. While they both feed a desire of revenge against the Duke, they decide to create the very first restaurant in France.

“Blazing Famiglia” centers around a family of former teenage gangsters. Tetsu Hino (Yoshimi Tokui) was once the leader of the most feared motorcycle gang in the Kanto area. Now, Tetsu Hino is middle-aged man who is looked down upon by his rebellious son Shuhei (Kento Hayashi). One day, Tetsu and his old biker gang gather together again after the daughter of a member is assaulted. Tetsu, worried about his day to day life, nevertheless regains the passion from his biker days. Tetsu then finds out that Ken Igarashi (Jun Murakami) is the man behind the attack. Ken Igarashi has had a grudge against Tetsu for a long time.

Did you ever wish you could get the hottest girl in school? This is the story of how non-jock Henry (Gregory Smith) indeed gets the girl, Grace (Jordana Brewster), but not without complications.

The film portrays Saint Peter reflecting on his time with Jesus and his fellow Apostles during his final imprisonment in Rome. In particular, Peter attempts to convert one of his jailers, Martinian, by relating the life, teachings, and sacrifice of Jesus.