After the Great East Japan Earthquake and Tsunami in 2011, Komori Haruka and Seo Natsumi chose to live and film in Rikuzentakata. This work is a visual record of four people who applied for a workshop Komori and Seo devised, showing them visiting the town and getting to know its people and landscape. The opportunity to hear personal experiences of the disaster decreases with time, but this film provides a bridge to new encounters and communication, in addition to including a story written by Seo entitled “Double Layered Town.”

An extravagant, exotic and moving look at Rembrandt’s romantic and professional life, and the controversy he created by the identification of a murderer in the painting The Night Watch.

A harsh dose of cinematic realism about a harsh time-the Bosnian War of the 1990s-Juanita Wilson’s drama is taken from true stories revealed during the International Criminal Tribunal in The Hague. Samira is a modern schoolteacher in Sarajevo who takes a job in a small country village just as the war is beginning to ramp up. When Serbian soldiers overrun the village, shoot the men and keep the women as laborers (the older ones) and sex objects (the younger ones), Samira is subjected to the basest form of treatment imaginable

A jaded forest officer leads a team of trackers and locals intending to capture an unsettled tigress while battling intense obstacles and pressures, both natural and man-made.

An experimental drama, Melanie, who was drugged and raped in college. Now ten years later, she is in an abusive relationship and has a child. A chance encounter with someone from her past leads her to re-evaluate her past.

Sylvia’s work increasingly takes her away from the three men who help bring up Mary, her daughter. When she decides to move to England and take Mary with her, the three men are heartbroken at losing the two most important females in their lives.

A teenager struggles to keep her scandal-ridden past and a big secret from getting out when she strikes up an unlikely romance with the crown prince.

Returning to themes he first explored in La strada (1954), Fellini crafts a parable on the whisperings of the soul that only madmen and vagabonds are capable of hearing. The odd couple, Ivo Salvini (Benigni), a fake inspector of wells, and Gonnella (Villaggio), a former prefect, wander through the Emilia-Romagna countryside of Fellini’s childhood and discover a dystopia of television commercials, fascism, beauty pageants, rock music, Catholicism, and pagan ritual.

Allie moves to Texas and embraces the slower pace of life and gun culture. She tries to maintain healthy relationships as the weapons she uses to protect herself lead her to a paranoid withdrawal from life.

When Fenix, a lost soul craving something more, tries to re-join her chosen family, to prove her worth, she must play some very dangerous games.

A hit man and his partner try to find out why their latest victim, a former race-car driver, did not try to get away.

In September 1942, the German Afrika Korps under Rommel have successfully pushed the Allies back into Egypt. A counter-attack is planned, for which the fuel dumps at Tobruk are a critical impediment. In order to aid the attack, a group of British commandos and German Jews make their way undercover through 800 miles of desert, to destroy the fuel dumps starving the Germans of fuel.