A woman fights to protect herself and her son from her obsessive ex-husband after he buries her alive but she manages to escape, leading to a final struggle to ensure her son’s safety.
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A teenager ends up being hounded by a well-groomed and seemingly cute and tiny dog that actually turns out to be a nightmare of a beast.
Roy has lost his motivation and spends his days at home. Finally his wife can’t take it anymore and sends him away on an alternative treatment. The method is ridiculous. Roy doesn’t understand what he’s doing there. The therapist is strange, so strange that Roy suspects that something is wrong. When he wants to leave, things get unpleasant for real.
Camille Taylor has just written the hottest, sexiest, and most sensational tell-all book about her life as a high-class call girl…and someone killed her to keep it from being published. Was it one of her powerful clients; or perhaps her politician husband? Private Investigator Malena Powers is faced with the proposition of finding the killer.
Margaret, 35, has a history of violent behaviour which has cost her a romantic relationship. She has moved back in with her mother Christina, a fragile, immature 55-year-old woman who blames Margaret, her firstborn, for ruining her dreams of a career as a concert pianist. In a state of unbridled fury during an argument, Margaret hits Christina. The law steps in, further complicating family dynamics. As she awaits trial, Margaret is forbidden from coming into contact with her mother or within 100 metres of their home. This only intensifies her desire to be closer to her family. Every day, Margaret appears at this 100-metre threshold to see her 12-year-old sister Marion and give her music lessons.
All self-taught dancer Kate Parker has ever wanted to do was perform with the American Academy of Ballet. But when she doesnt make it after auditioning, she learns that it takes more than precision and perfection to succeed in the dance world.
When his beloved dog goes missing, a young man embarks on an incredible search with his parents to find him and give him life-saving medication.
The final part of Pasolini’s Trilogy of Life series is rich with exotic tales of slaves and kings, potions, betrayals, demons and, most of all, love and lovemaking in all its myriad forms. Mysterious and liberating, this is an exquisitely dreamlike and adult interpretation of the original folk tales.
Poetic, experimental and different, Container is described by Lukas Moodysson as “a black and white silent movie with sound” and with the following words; “A woman in a man’s body. A man in a woman’s body. Jesus in Mary’s stomach. The water breaks. It floods into me. I can’t close the lid. My heart is full.”
This is a film about a troubled teen, Sean Randall, who is falsely accused of planning a Columbine shooting scenario. It all begins when an unlikely bond forms between Sean (Connor Jessup) and a preppy teenage girl named Deanna Roy (Alexia Fast). Deanna’s boyfriend is deeply threatened by Sean and Deanna’s friendship, resulting in a violent confrontation. Seeking to protect himself, Sean issues a death threat online – and is swiftly arrested. When the police raid Sean’s home, they find rifles, shotguns, knives and ammunition – all property of Sean’s father Ricky (Michael Buie), an avid hunter. They also find a supposed “hit list” with twenty names of people who have tormented Sean. The authorities and the media proclaim another Columbine has been narrowly averted, and soon Sean faces a terrifying imprisonment in a youth detention facility. Sean’s only hope is to overcome his dark image, and prove his innocence to Deanna and to his community.
