From acclaimed graphic novelist Dash Shaw (New School) comes an audacious debut that is equal parts disaster cinema, high school comedy and blockbuster satire, told through a dream-like mixed media animation style that incorporates drawings, paintings and collage. Dash (Jason Schwartzman) and his best friend Assaf (Reggie Watts) are preparing for another year at Tides High School muckraking on behalf of their widely-distributed but little-read school newspaper, edited by their friend Verti (Maya Rudolph). But just when a blossoming relationship between Assaf and Verti threatens to destroy the boys’ friendship, Dash learns of the administration’s cover-up that puts all the students in danger. Hailed as “the most original animated film of the year” and “John Hughes for the Adult Swim generation”, the film’s everyday concerns of friendships, cliques and young love remind us how the high school experience continues to shape who we become, even in the most unusual of circumstances.

When the groom’s oldest friend, Cole, (Jack Quaid) finds out his best friend, Jason, (Jared Wernick) is getting married, he escapes from the institution he has been incarcerated in and makes a surprise visit to serve as the best man. Something does not seem right between bride, Gretchen, (Justine Magnusson) and groom. None of their friends seem to fully support the marriage and have secrets of their own. Unresolved about their relationship and endlessly obsessed with the groom, Cole stirs up everyone and everything, making it a weekend to remember.

Young Emily Walton, who has suffered from psychosomatic blindness ever since the car accident that took her mother’s life, must summon every instinct at her disposal to protect herself and her loved ones from a mysterious intruder

Two police pursuit drivers, a hothead rookie and his long-suffering, almost-retired mentor, face off against an escape car driver from the latter’s past.

In October 1991, a confluence of weather conditions combined to form a killer storm in the North Atlantic. Caught in the storm was the sword-fishing boat Andrea Gail. Magnificent foreshadowing and anticipation fill this true-life drama while minute details of the fishing boats, their gear and the weather are juxtaposed with the sea adventure.

Determined to even the scales and profit from his thankless job, a factory worker schemes to traffic luxury perfumes from under his employer’s nose.

When Ana, a young compliance manager, discovers unusually high bills among her company’s records, she can’t imagine what an avalanche her research will set off. Not only does she cross paths with an aging small-time crook and a Viennese Mafia lord at an illegal bare-knuckle fight, she also runs into Carsten, an undercover investigator. He has long been on the trail of a network of money launderers and now faces a difficult decision — since he knows Ana all too well.

Carlos lives in a boarding school in the centre of Bogotá and longs to spend Christmas with his family. The circumstances around him force him to assume the male stereotype, in open contradiction to his true being. In private, Carlos acknowledges his sensitivity, his fragility and moves towards other forms of masculinity. At his 16 years of age, Carlos explores his sexual identity, discovers his fears, his desires, and all the things that real men never show.

Morir revolves around the couple Luis and Marta, whose lives are paralyzed by the outbreak of a disease that is accompanied by guilt, lies and fear, testing the stability and love between them.

The true story of the 19th century Belgian priest, Father Damien, who volunteered to go to the island of Molokai, to console and care for the lepers.

Caught by tabloid paparazzi with his mistress Elena, a famous and beautiful fashion model, billionaire Pierre Levasseur tries to avoid a divorce by inventing a preposterous lie. He uses the presence of a passerby in the photo to claim to his wife that it’s not him Elena is seeing but the other man, one François Pignon. Pignon is a modest little man who works as a parking valet. To make the story convincing, Elena has to move in with Pignon.

A film director has problems coping with his wife and marriage. The daughter is their only connecting link. He is looking for love and sex elsewhere. A married woman becomes his new partner for a while.